Angela Knight tours Michigan!
Category: Writing and Poetry

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Deadline approaching for Angela Knight’s next online writing class
Current mood: artistic

If you're interested, I'm teaching my next online class beginning in August for the Kiss of Death chapter of RWA.  It costs $30 for non-members of the chapter. You don't need to be a member of RWA or Kiss of Death, though KOD members only have to pay $15. You need to sign up by Sunday to get in.  You pay via paypal.  There will be thirteen lessons, presented on Mondays, Wednesdays and Fridays.  You can find the class here:

http://rwamysterysuspense.org/2008killerinstinctsaug.html

To participate, you'll be sent a link to the class's yahoo group after you give your paypal payment.  There is no set time or chatroom involved.  You read the lessons and ask questions via e-mail, which I also answer via e-mail.  You will also be able to download the lessons to your computer from the files section of the group and keep them.

Please note that I have presented "Dangerously Sexy: Putting Heat As Well As Danger in Your Romantic Suspense" before.  However, I'm going to do a rewrite on it, and probably add some material to boot.  And I will answer questions, which can be asked anytime, not just on days I'm giving the lesson.

Here's the Introduction of the class as a sample:

Dangerously Sexy: An Introduction

First, I'd like to thank you for signing up for my Kiss of Death class, "Dangerously Sexy: Putting Heat as Well as Danger in your Romantic Suspense." I hope you find it as useful and informative as the KOD classes I've taken since myself.

Putting sizzle in your romantic suspense is a topic I'm definitely familiar with. I'm the author of eight novels and more then twenty novellas that incorporate a blend of erotic romance and suspense. The combination has been an effective one for me.  My books have hit a number of bestseller lists, including USA Today and Publisher's Weekly.  My last novel, Warrior, is a New York Times bestseller.

This, however, is not a class on writing erotic romance. My intent here is to help you learn to use sensuality and sexuality - which are not the same thing - to give your romantic suspense more realism and power. 

Sex is enormously powerful in human relationships, but it's often dismissed by romance writers as annoying and boring to write. 

There are a couple of reasons for this.  One is that we've all heard our genre dismissed as soft core porn for women.   There's a temptation to say "But our books are not really about sex." Actually, it would be more accurate to say that they're about a lot more than sex. Sex is an inextricable part of romance, because like it or not, all romantic relationships are at their core sexual. If you ignore that dimension of your characters' relationship, you deny yourself and the reader key scenes of character interaction and development that are integral to the romance.

Another factor is that writers sometimes dislike writing sex because they're not comfortable with it.  They've been taught that "good girls DON'T."  But to pull off a good sex scene, you have to be totally honest in portraying the act of love in all its passion.  That means revealing that you and your heroine DO like sex, and that can be really frightening.  After all, you're talking about something very private, which you may have been taught not to discuss at all.  What if people think you're kinky?  What if – Oh, GOD – your mother, kids or preacher reads your book?

Thus it's often emotionally safer for writers to write one really mechanical love scene where the characters have sex in the missionary position for three pages with as little sexual detail as possible.  No wonder people hate writing scenes like that.

The key is, don't worry about what this scene says about you.  Hard as this might be to believe, it's not about you – it's about the COUPLE.  How do THEY experience making love?  Be honest.  Do you really think this passionate, gorgeous, heroic young couple is going to thrust at each other three times in the dark, climax, and then roll over and go to sleep? A scene like that cheats the readers, the romance – and YOU, as an artist. 

So tell it like it REALLY is. 

Real artists take risks, folks.  Great artists are brutally honest about what their characters  feel, whether or not it's politically correct, whether or not Mother and the kids like it.  If you're worried about it, do what I did: make a deal with Mother and the kids.  "My books have scenes that are sexually explicit.  I don't feel comfortable with you reading them."  I pretty much guarantee that neither your mother or your kids WANT to read any sex scene you've written.  Mine don't. 

If you're really paranoid, use a pen name and refuse to tell anybody what it is.  I did that too for a while.

But no matter what solution you arrive at, have the guts to show your characters' passion in all its emotional intensity.  It's not easy, but if you really want to write a book that blows away readers and editors alike, that's what you have to do.
           
Which is why the porn accusation never fails to irritate me. As I've said more than once, "If it was nothing but porn, I wouldn't have to work so hard at it."

My objective in these classes is to demonstrate the techniques of writing deliciously romantic sexual encounters that also advance plot and characterization.

In our next three classes I will discuss the creation and motivation of heroes, heroines and villains and their respective attitudes toward sexuality. How can you construct these characters to maximize conflict?

Next we'll talk about creating a strong romantic suspense plot while simultaneously motivating sex and romance believably. After all, thinking about sex when someone's shooting at you is a little dumb.

In week three, we'll talk about the nuts and bolts of writing a highly sensual love scene. We'll explore ways to build romantic conflict during love scenes, and we'll dissect a love scene to see what makes it work.

In week four, we'll discuss language - just what do we call all these body parts anyway? We'll also talk about violence and sex - how far is too far? And finally, we'll look at building a believable Happily Ever After ending that pays off everything that went before.

Feel free to ask questions. I will be more than happy to answer, or at the very least, find an answer for you.

Best,
Angela Knight

05:43 AM - 0 Comments - 0 Kudos - Add Comment

ENFORCER change of plans
Current mood: excited

Thought I'd share a little about how things have changed on the TIME HUNTERS series. I had originally intended to do five books, but I developed a killer case of writer's block, and realized it was because I couldn't figure out how to plot that many books. So now it's going to be a three book series instead.

If you've read WARRIOR, you know that I included the first chapter of a new book called ENFORCER. As it happens, I couldn't get that book off the ground no matter what I did. Just wasn't working. And I was pulling my hair out.

About the same time I was struggling with that, my gallbladder went south. It's a side effect of gastric bypass, basically. The gallbladder stores gall for use when you eat fatty foods. If you don't eat much fat, the gall hangs out and turns into stones. Which then get shot out when you eat something like a hamburger. This is excruciating. First time it happened, I honest to God thought I was having a heart attack. My surgeon told me I was going to have to have the gallbladder out. I didn't much want to do that, but after five or six attacks in the course of a month, I decided pain sux. So out it came.

Now, I had to go on hydrocodone, (AKA Vicodin or Loratab.) First because of the pain of those damn stones, then because of the surgery, which HURT, then because my back went out because I was favoring my abdominal muscles.

(By the way, I developed a thankfully brief addiction to that shit, which I kicked by going cold turkey as soon as I realized I was hooked. Jesus, that was scary. DO NOT TAKE THAT CRAP one second longer than you have to. It's evil. Getting off it was no fun, either. The first three days I was miserable, because I craved the damn stuff so BAD. But I refused to get the prescription refilled, and now the craving is, thank God, gone.)

But while I was floating in my fluffy pink hydrocodone fog, Nick Wyatt came to call. Nick is absolutely the sexiest freaking hero I think I've ever created. He's half Xeran (Yes, the evil bad guys in the series) and he has cool psychic powers. To be honest, he was inspired more than a little by Jim Butcher's Harry Dresden, except sexier. HA!

Thing was, I knew he wasn't the hero of ENFORCER. I also knew that if I put him in ENFORCER -- and I tried -- he would take the book right over. He was that hot. So I talked to Cindy Hwang, my editor goddess. Somewhat to my surprise, she told me to drop ENFORCER and do Nick's book next. ENFORCER will be the third book; Dona and Alerio will get their story, just not the way I originally planned it.

So now I'm writing GUARDIAN, which stars Nick and Riane Arvid, Jane and Baran's daughter. (Jane and Baran being the couple from JANE'S WARLORD.) I am really stoked about this book, and I think the fans are going to love Nick. I'm already in love with him.

In other news -- WARRIOR made the New York Times list! I am SO excited. Oh, yeah! Doing the dance of joy!

Anyway, wish me luck on GUARDIAN. Thanks!

Angela Knight

05:46 AM - 11 Comments - 22 Kudos - Add Comment

My New Class on Writing Love Scenes in Romance
Category: Romance and Relationships

Hi, guys. This may, I'm teaching an online class on writing love scenes for my RWA Chapter, Carolina Romance Writers. Here's an excerpt that should give you some idea of what to expect if you'd like to take the class.

Introduction:
FROM MILD TO WILD: CREATING SEX SCENES THAT ARE MORE THAN THE SAME OLD BUMP AND GRIND

By Angela Knight

If there's one aspect of romance that we as a genre have trouble with, it's love scenes. After all, many of us grew up being told that when it comes to sex, "Good Girls Don't." Or if they do, they're not supposed to like it.

In reality, I think we'd all agree that a sexless marriage would be arid and dysfunctional. Not to mention doomed; what man is going to put up with a wife who doesn't like sex? Yes, he may love her, but if she hates his body and hers to that extent, somebody's in desperate need of some serious therapy. And what kind of husband would force his wife to do something she hated? I think the technical term for that is "rapist."

We don't publish that sort of thing anymore.

Of course, you could create a heroine who is sexually screwed up to that extent, but readers would expect her to have her head on straight by the end of the book. Otherwise, your couple is not going to get that promised "Happily Ever After."

Thus we have to assume our heroines like sex with their handsome heroes, no matter how virginal they may be, even in sweet romances where the bedroom door remains firmly closed. So our heroines do enjoy sex.

It's romance novelists who don't.

Or at least, many of us don't like writing about it. All together now: "It's just Tab A in Slot B!"

I'll grant you, the mechanics of sliding Tab A into Slot B may be the same, but only if you leave out characterization, emotion and the development of the romance.

My husband and I have been married for 24 years now, and I have no idea how many times we've made love. But every single time is different, depending on what happened that day, what mood we're in, and what we decide to do to spice things up.

Strawberries, anyone? Whipped cream? No chocolate, though: it gave me a rash last time....

THE CRAFT OF LOVE

As a writer, I pride myself on writing love scenes that are vivid and emotionally intense. Readers read romance because they want to experience – or re-experience – the humming thrill of falling in love with an incredible, sensual man.

In fact, romance novelists who expect to find success must pay more attention to love scenes now than ever before. The newest generation of readers were raised on MTV and Sex in the City, and they do not expect us to primly hold back because we're afraid of being called sluts.

They want us to show them what amazing lovers our heroes are, not just tell them that everybody had a really good time. What's more, editors know that, and they're looking for writers who are not afraid to deliver.

But selling books is not the only reason to write good sex. Love scenes provide writers with a way to depict emotional intimacy and romantic intensity with a power that can't be achieved in any other way.

What's the first law of writing good fiction? "Show, don't tell." There is no better place to show the sweet flowering of a romance than in bed. That's where our characters are most naked – and not just physically.

Think about it. Why do sex scandals grab headlines? It's because we all know that a person's core character is revealed by what he does in bed – or in a men's room. He can make speeches about family values all he wants, but if he's assuming a wide stance somewhere, we know what's really going on in his head.

The way our heroes and heroines make love tells us volumes about what they think of themselves and the opposite sex. If they're tender and concerned for the other person's pleasure, that says something. If, on the other hand, all your hero is interested in is his next orgasm, that says something too.

Even more revealing is the way in which his lovemaking changes throughout the course of the book. Yes, he may know how to make a woman's toes curl from page one, but how does making love to this particular heroine effect him? Does his concern for her pleasure increase until his focus is solely on her joy rather than his own? That says volumes about his evolution as a hero.

And it also tells you a great deal about how the romance has grown.

GROWING THE ROMANCE

Every scene in a romance must do one of three things: develop the characters, develop the internal or external conflicts, or develop the romance. Otherwise it should be cut.

That definitely includes the love scenes. You can write the most sizzling scene ever put on paper, but if all it does is give the reader a thrill, it should be either rewritten or cut.

If there's one mistake I see erotic romance writers make, that's it: love scenes that don't do anything. Sex scenes that are only there to give the reader a buzz may be fine in porn, but that's not what we're writing.

The focus in a romance is always the romance: the growth of love between two people, with all its rocky missteps and luscious pleasures.

Which is why traditional romances with three-page generic love scenes are every bit as bad as pointless erotica. If you're including a love scene solely because your editor demands it, you're doing something wrong. And you're missing a golden opportunity to advance your story.

It's my intention with this class to demonstrate how to craft love scenes that make your romance truly romantic.

Over the month of May, 2008, I will post a total of fourteen lessons, on the CRW Yahoo Group for the class. There will be one each Monday, Wednesday and Friday. You are welcome to ask questions whenever you like, and I will do my best to answer.

Lessons will include:
The three functions of love scenes in romance
Character development
Heroes
Heroines
Mapping the romance with love scenes
The First encounter
Middle encounters
Last love scene of the book
Conflict
Creating appropriate levels of sensuality, whether for erotic romance or traditional
Sensual detail
C, F and P words – what language should a romance writer use?
Conclusion

I hope you find the class useful, as well as good fun.

***

If you'd like to take the class, you can sign up here:

http://www.carolinaromancewriters.com/may08.htm

Thanks!

Angela Knight

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