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"Jugular" by John P. Zerga Jr.
Current mood: thankful
Category: Writing and Poetry
Jugular©
Based on True Events
As the smooth slippery skin of his eyelids slide over his cornea, Frankie opens his eyes ending the numbing darkness. Gentle sunlight rushes through its complexities causing his optic muscles to contract. This life giving energy hits his receptors, transforming the luminous images into nerve stimuli. These stimuli reach his cerebral cortex, then the fibers of his optic nerves, inciting his lifes blood to flood the skeletal muscles of every limb of his once dormant body until his conscious mind recognizes the reality of a new day.
He perceives a white tiled ceiling forming a black grid with a shaking ceiling fan in the center. With each wobble, his once quiet ears hear a shrill rhythmic hum. His eyes observe the erratic movement of the fan blades and the bouncy swaying of the pull cords. A soft breeze blows downward from above, cascading over his bare skin, igniting every nerve ending in its wake. Once stiff muscles become animate, those of his neck motion first as he turns his head to the nightstand beside his bed. The bright red digits of the alarm clock read 5 AM. He takes a deep inhale, filling his lungs, preparing himself to rise and get ready for work.
As Frankie pulls back his covers, lies his feet on the plush carpet floor, he pauses for a minute to gather his thoughts. He has a job today in an old school in Alphabet City. His friend Joe will be there to pick him up in an hour. Every morning they carpool to whatever construction site. After foreshadowing the plans for his day, figuring that he would go to the gym after work, cook himself some dinner, then end up at the Tonys Café to end the day playing cards, he began his daily routine. He gets up, fixes himself some egg whites with a cup of coffee, brushes his teeth, shaves, showers, gets dressed, grabs his tools, then hes out the door just like every other morning without any fret. Its the same shit everyday.
Walking onto the porch in his Timberland construction boots, he witnesses a bright sunny day. The heat of golden rays breaks through a small patch of white clouds comforting his face. The chirping early morning birds make him feel vibrate and young. The soothing wind in the nearby trees brings him a sense of complacency. The air clean and fresh passing through his lungs is the most noticeable factor that he is alive and well, second is the beating of his heart that he could hardly notice.
As a few cars pass by, Frankie wonders when Joe will arrive. In the meantime, he lights up a cigarette. With each drag and exhale, he enjoys the taste and the movement of smoke as it travels down his trachea, into his lungs, then out this body. Yeah, he knows its bad for him, but its one of the small things in life he enjoys. It relaxes him. Besides, he trains in the gym almost everyday. In his mind, this balances things out. He has some vices, but he has his strengths too, one making up for the other, enjoying the best of both worlds.
In the distance, Frankie hears music. As the source of the sounds moves closer, he recognizes the tunes, trance music the kind they play at clubs like Exits. 6 AM and hes blasting music, that Joey is something else. A shinning black Nissan Maxima pulls up into his driveway.
"Hey Frankie! How you fucken doen?"
"Joey! Paisan! Im doen good."
"Come on and get in. We have to get goen."
Frankie picks up his bag, heads down the stoop, walks over to the passenger side door, gets in, and then gives Joeys a hard handshake.
"So Frankie, we got this fucken job today down in Alphabet City."
"Yeah! I know. What are you going to take the Williamsburg?"
"Yeah! Thats the quickest way there. Whatcha do last night?"
"I hung out with Regina. We went out for dinner at Johns on Forest Ave and then we were just relaxing at home."
"How are things going between yous two?"
"Awright. You know, she still has this dream of moving to California and becoming an actress."
"Are you thinking about going with her?"
"Fuck no, Im born and raised here in New York City kid. I love it here and Im not moving for anybody."
"You know her so long, years, shit are you sure?"
"Yeah Im sure! Aint no fucking way Im moving to Cali. Its not for me."
"I dont fucken blame you, aint nothing else like home."
"Fucken aye"
After driving through Queens into Brooklyn, frustrations build after sitting in traffic. Lines of cars as far as the eye can see slowly roll bumper to bumper down the BQE. The smell of exhaust fumes among the muggy summer air weigh down each inhale and exhale like a hard-pressed leather bellow.
"Hey Frankie, look at this fucken guy in the taxi. He just cut me off!"
Joey revs up his Maxima and makes his way onto the shoulder of the far right lane of the ramp just before the Kosciusko Bridge. He rolls down his window. Frankie watches as Joey leaps halfway outside the drivers side window.
"Hey you Fucken asshole! What are you blind or just fucken stupid?"
The Taxi cab driver, too afraid to look Joey in the eye, instead just looks forward into the steering wheel shaking his head like some sort of fucked up string puppet.
Joey then jerks his car in front of the guy with a loud screech, cutting him off, and points his intimidating finger at him. He then gestures him to back off and let him through by waving his hand sideways. The taxi cab driver doesnt even attempt to move forward. He wont look him in the face, but he can feel Joeys daunting presence as if he were a chital about to be devoured by a tiger.
"This BQE is always fucked up. All this construction, even at 6 in the morning theres traffic."
"Ah! Dont sweat it Joey. Its starting to move and well be at the Williamsburg Bridge in no time."
As Frankie and Joey make there way across the Williamsburg Bridge, Frankie soaks in the sight of the Manhattan Skyline. Hes proud of where he grew up and no matter how many times he sees it, it always impresses him. He used to love the site of the Twin Towers and he wonders when theyll ever rebuild them. In the meantime, he focuses on Empire State Building.
After exiting the bridge, Joey turns down a side street. They pass the school several times circling the block. Not a spot to be found.
"Fuck! Even at this time you cant find a fucken spot."
"Hey Joey, right over there that clown is pulling out."
"Gotcha!"
After Joey parks the car, they both head for PS 91. Several workers are at the job site already. They walk through a wooden barrier around the site to keep pedestrians out. Their foreman Mike is the first to greet them.
"Hey! Whats up fellas?"
"Same old same old," Joey replies.
"You gonna play cards tonight Frankie?"
"Yeah, Ill be there."
"Well be working in the basement today guys follow me."
Frankie and Joey follow Mike down damp cellar steps that reek of the smell of old urine. They pass through a black metal framed doorway into the basement. Its been all gutted, down to the concrete floor and the bare ceiling. The air of the basement is clouded with dust, debris lie everywhere about the floor, along with some rat shit scattered around near the walls. Theres movement all over the place as other workers have there own individual projects, exiting in and out of the dimly lit basement.
Mike motions his hand and points to an area of the room.
"Joey, I need you to lay down some concrete over there with Tony. Frankie, you follow me."
"Awright," Frankie replies.
Mike takes Frankie to a large concrete wall. Droplets of water fall from the ceiling onto their hardhats. Trickles of water spill down from the ceiling onto the black craggy floor.
Mike positions a large construction lamp resting on a bright yellow metal stand towards the wall and turns it on. The bright light uncovers a dead dark-grey furry rat towards the end of the wall stiff as a board. Its hairless lanky tail outstretched behind. A few brownish cockroaches the size of a mans fist suddenly scatters from the bright light. Their long antennae twitching in front of them almost felt alien and their hairy legs move almost mechanically across the floor.
"Frankie! I need you to cut a doorway into this wall, ok?"
Frankie yells over the noise in the basement, "Yeah, sure Mike I got it."
Mike walks away to another part of the basement, while Frankie picks up the large handheld concrete cutter. A concrete cutter uses circular diamond blades with very large teeth to make its cuts. Frankie yanks the starter handle and the muffler howls as he pushes up the throttle. He places the cutter vertically in the wall and begins to make his first cut. The saw begins to easily cut right through the concrete. Small fragments splash against his plastic safety glasses and hardhat making small chipping sounds. The loud roar of the motor overlaps the grainy screeching of the saw blade cutting through the wall. This combination of shrill sounds and the friction of the blade traveling back towards the handles shudder every bone of his body.
Frankie is relaxed and self-assured. Its routine for him. He has the feel for the blade as if it were a part of him from endless hours of working with the tool.
Suddenly, Frankies hands on the grips of the saw become tight. The muscles in his arms and shoulders violently contract to maintain control. The saw blade begins to slow down, but this has happened before. Still confident, he focuses his eyes where the blade meets the wall, following it down the black line he drew for himself as a guide. He presses onward to make his cut by pushing up the throttle a little more.
Frankie relaxes for a moment, since the cut is moving smoothly again. He shifts his focus and other images flood his mind. He had played lotto yesterday and he wanted to check his numbers at lunchtime. Speaking of lunch, he begins to daydream about where he was going to go for lunch and that he had to call Regina later on. There were several things he wanted to talk to here about. He couldnt express it, but he loved her and her dreams of moving away were beginning to get to him. He would never show it, Frankie was a tuff guy from the neighborhood, as her dream became more and more a reality, he couldnt hold back any longer. He had to tell her how he felt.
Abruptly there is a violent jerk that resonates throughout his entire body like a shockwave. All his muscles painfully tense as he tries to compensate. As he struggles, beads of sweat begin to run down from underneath his hardhat. With the saw blade moving so fast and in the time it would take to throttle down the concrete cutter, he wonders if he can recover. He begins to feel as if he were watching himself on a movie screen, detached from moment, a spectator, with the scene playing out. His body feels foreign and not part of whats happening. Like a self-defense mechanism, part of his mind is trying to take him out of the situation he is confronting. It cant be happening, but the dark reality is that he is amidst a gamble, a fork road, an event that could change everything, from the mundane parts of his life, to the significant, or to finally cross him over beyond the senses, to find the answers to the unanswerable questions every living thing fears from the obscure reaches of ones soul and the jailed confines of ones finite intellect.
Out of the deepest depths of his chest, he begins to hear his hollow heartbeat over the noise of the concrete cutter. The saw jams, and then unexpectedly bounces out of the wall. Frankie tries to control it, but the momentum of the blade is too much for him to handle. Even though his mind is telling him otherwise, or hoping for the best, in the heat of the moment, his hands are latched on and the rest of his body is just going along for the ride. The concrete cutter leaps backwards towards him, he tries to drive the blade away from him, but its too late.
The saw blade twists in his hands heading right for his face. Utter fright travels through Frankies body like chain lightening as he wonders were in his head the blade will land. Will it land into the frontal bone at the top of his skull, slicing through to his brain, maybe into his eye socket, forehead, and cheek bone, or maybe toward the side of his head between his temple and his ear?
The unstoppable blade with all its weight and momentum behind it lands in his chin like an act of nature. He feels the high revving heated saw blade cut a baneful grove as it races right through the bone. It seems as if his whole life passes before his eyes up to waking up before work. He had plans for today, he was going to go to the gym, have some fun with the guys. He was going to make himself dinner or maybe go out for dinner at his favorite Italian restaurant with Regina, then up to Tonys Café, drink some black coffee with Anisette, play some cards, then enjoy his air-conditioned room with the ceiling fan blowing down on him, cuddling under the covers.
Though this ride is one he cant get off, one that he alone is part of, totally out of his or anyones control. The only thing is to hope for the best and that God would be with him. The scorching blade, heated from the friction of cutting into the wall travels in a curved shape from his chin, across his throat, reaching to the back of his ear. In an instant, the intricate muscles of his vulnerable throat are opened to the dusty basement air.
Frankie drops the concrete cutter to the ground and there is a loud clank. He instinctively runs his figures up towards his neck, thinking to hold back a geyser of blood. He is surprised to find no blood on his clothes and thinks at first the damage isnt that bad. At first he feels a crease, then an empty space where flesh and muscle should be. A gooey gritty substance smears onto his fingertips as sand and blood blend together. As he travels along blind, no reflection to see the damage, he experiences the texture of smooth slippery muscle, exposed to filth and germs, never meant to be left bare to the harshness of the outside world.
At the same time, he experiences a cold numbing chill in his neck as he runs his intrusive figures unnaturally into the confines of his slit throat. As he pulls his figures away, he touches something thin and throbbing, he realizes that his jugular vein is hanging out of the gapping wound. His breath is no longer the most noticeable factor that he is alive, since his body is in such a state of panic. It is the thunderous beating of his heart that overbears everything else.
Frankie screams, "Help! Someone call a fucking ambulance. I'm cut!"
Mike rushes to Frankie. He stands there in awe as he witness the bare insides and falling crimsoned tissue hanging out of Frankies neck. With not much blood in sight, he perceives the bare anatomy of Frankies throat. The twitching muscles, the pulsating veins, arteries, dislodged glands, and flesh he cannot recognize.
He lies Frankie down on the damp cellar floor. Cockroaches begin running all over Frankies body. Mike swats them away and they land on their feet, not moving, as if to say this basement is fucking ours. Frankie doesnt seem to notice anything. In apparent shock, he just begins to stare at a focal point in the ceiling. Partially true, since even though Frankie subconscious mind tries to block out the horror of the situation, with a dreamlike numbness encasing him, parts of reality seep through the veil.
Frankie faintly feels abrasive pain in his neck, the awkward feeling of separation where the saw blade blazed its gruesome path, the tingling of the dirty basement air passing through his fresh wound, the trickles of blood traveling down his throat, and settling in a sticky pool about his chest. He feels other sensations, morbid, those of the body and of the soul. He clenches his hands and feels the cold damp dirt slip through his fingers, envisioning being at the bottom of a deep burial plot, stormy grey clouds above him, with all his loved ones looking down at him in his grave. The texture of his clothes pressing about his body, the weight of him pressing against the wet basement floor, makes him feel so mortal, his body so foreign, as if it werent his at all, but just a collection of skin, muscle, bone, blood, and organs all amounting to one big lump of shit. His mind is no longer in the realm of everyday thought, were he wields self-confidence, security, and ownership of his being. That is all swept away in an instant by this mortal wound threatening his life.
Mike instinctively tries to place some pressure on the wound, but then realizes hed be putting his hands inside Frankies throat. He wont dare try to hold his throat together. He might do more damage than good. As he looks at the dislodged bluish jugular vein throbbing outside Frankies neck, he experiences a distant sensation, like a camera was zooming out. The blood begins the leave his body. Mike rises to one knee, but not before long stubbles to the floor unconscious.
Joey and Tony are the next to stand before Frankie, Mike still passed out on the floor.
"Joey quick go get an ambulance!"
Joey immediately runs off outside to get clear reception on his cell and calls 911.
Meanwhile, Tony tries to get Mike to his feet. Mike begins to gain consciousness and immediately runs outside to get himself air. As Tony kneels down, he tries to comfort Frankie, but he too cant stand to see Frankies open throat with all its shredded skin, raw muscles, and hanging blood vessels.
Tony gets an uncontrollable urge from the bowls of his stomach. He feels an acidy liquid fighting to emerge like an erupting volcano. Tony instinctively, runs towards the wall, places one hand to brace himself and then throws up everything he had in him.
In the distance, the howling of ambulance sirens overbears the commotion of the city streets. Several workers approach Frankie, but quickly turn away in disgust from the sight of the gruesome wound. They talk among themselves in utter disbelief that he is still alive at all.
Meanwhile, Tony wipes his face, stumbles over to Frankie and says, "Frank, the ambulance is on the way. Hang in there! Alright bro."
"Frankie replies, Yeah Tony, I hear them coming too. They got here fast."
"Im glad for that," Tony replies while taking off his hardhat and rubbing his figures through his sweaty hair.
"Where is everybody Tony? I thought there would be a crowd over here."
"Everybody is here Frank."
"What do you mean? Youre the only one down here with me".
"Its nothing kid, dont worry about it"
"Is it that bad?"
"Naw Frank. Youre going to be alright. There just making sure the paramedics know where to go."
"Dont fucking kid me Tony. Nobody is down here because they cant fucken handling seeing me with my head hanging halfway off!"
"Its not that bad. Just dont move, relax and the paramedics will know what to do when they get here."
"I sure hope so Tony. Its a strange feeling. I had all these plans for later on today. Not only that, but for the week and the months ahead. Its as if all my goals, responsibilities, and worries are slipping away and all that is left is this moment, lying here on this filthy basement floor, with my throat cut, waiting for darkness to fall."
"I dont want to here that morbid bullshit. Frank, just keep focusing on getting past this. Its not going to be pleasant and youll have scars, but youre going to get through this."
"How do you know?"
"Because your jugular vein isnt cut, youd be dead by now if it were. Id say you missed it by the tip of a ballpoint pen. Consider yourself lucky."
"Awright! Fuck it! Im going to stay strong and keep all my hopes and dreams alive."
"Thats it. Fuck it! Let go of you fear and take the pain. Youll be alright."
The ambulance parks right outside the building. Its sirens screaming like a banshee in a graveyard. A group of paramedics rush down the stairs with a stretcher. Tony moves out of their way. Franking focuses on the future, past this moment, blocking everything happening to him out of his mind. After the paramedics stabilize him and place him in the stretcher, they begin to carry him out. As Frankie leaves the basement others show their support.
"Hang in their Frankie!"
"Youre gonna be alright cuz!"
After the fuzzy ride to the hospital, Twin doors slam open and Frankie is brought to an operating room.
The doctor approaches him and says, "Frank, Im going to begin stitching you up. Its going to be extremely painful. The anesthesiologist will put you out, ok."
"No! I dont want any anesthesia. Just numb it," Frankie screams.
"You just want a local?"
"Yeah."
A nurse hands the surgeon a large needle. He then slowly inserts it directly into the open wound. Frankie feels a painful pinch that seems endless. The fluid pierces its way into Frankies flesh with such thrust, he clenches onto the operating table as if he had just been bitten by a venomous serpent. His face becomes flushed with blood and pulsating veins begin popping around his temples in a pattern resembling bluish puffy roots.
As the injection beings to take affect, Frankie feels a ghostly numbness, like part of his body has died and is no longer a part of him. He does feel slight pressing and tugging, especially when the doctor beings to set the inner working of his throat into place, like when he pushes his submandibular gland back in his neck. Frankie feels slight pinches and tugs as the doctor inserts a curved needled in and out of his flesh, pulling the loose skin back together, and slowly closing the wound until it is whole once again.
When all is said and done, Frankie receives 50 stitches to his neck. He could have easily died if the blade sliced through his jugular, only missing it by the tip of a ballpoint pen. Frankie was living an everyday life, but sometimes life is far from ordinary and we are put to the test. A test of will and our sanity to confront our mortality in the wake of our fragile bodies experiencing deathly threats that shake the foundations of our soul to face our past, present, future and what mysteries lies beyond the darkness of our oblivious minds.
Thank God Frankie survived and is still with us.
Copyright 2006 John P. Zerga Jr.
5:17 PM
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