Gender: Male
Status: Married
Age: 54
Sign: Sagittarius
City: SANTA CRUZ
State: California
Country: US
Signup Date:
05/16/06
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Wednesday, February 13, 2008
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Crossfit North Santa Cruz Winged Skull
I've been working out at Crossfit North Santa Cruz. They have a great winged skull painted on one wall which they use as a logo on t-shirts, etc. Made me curious as to where it came from, so I wrote an article on the history of the winged skull symbol. Click here to see it.
3:15 PM
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Wednesday, August 08, 2007
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Core strength exercises with a mountain climbing theme
Here is a fun sequence of three exercises, all with a mountain climbing theme designed to work the thighs, the core muscles, and the arms. A mountain climbing theme is one where you repeat the same body-lifting exercise continuously and endlessly but never get any higher! Kind of like the feeling you get when climbing a mountain and the each peak you were headed for turns out to be only a small rise in a path to a much higher peak.
Since the theme is mountain climbing, start out in a classic yoga 'Mountain Pose'. From a kneeling position with both hands on the floor under the shoulders, let your hips lead in pulling you up into a right-angle posture where you are bent with a 90-degree angle at the hips. Your legs are straight making one line, and your hips, back, head and arms are all aligned making the second line. To make that right angle tilt your pelvis so your sit-bones are pointed to the ceiling. Spend a minute getting the alignment right and paying attention to your breath.
The first mountain climb is the classic 'Mountain Climbers'. This exercise targets the thighs and the core muscles in the pelvis and lower back. From a Mountain Pose, bring one leg forward placing the foot between the arms into a lunge. Lower your chest forward, keeping your back straight, and place your hands on the floor out in front of you, a little more than shoulder-width apart. You should look like you're ready to run a race. Switch the position of each leg repeatedly for 30 seconds to 1 minute. Think of it as running place but with your hands on the ground. Finish with the opposite leg forward than you started with, then let your hips lead in pulling you back into Mountain Pose. Again spend a minute getting the alignment right and paying attention to your breath.
The second mountain climb is a variation on classic Mountain Climbers done with the arms. This exercise targets the upper body pressing muscles - triceps, pectorals and the anterior deltoids. Starting from Mountain Pose rotate forward on the shoulders dropping the hips so you legs come into line with your back. Now the right angle is at the shoulders, with one line formed by the legs, hips, back and head, and the other by the straight arms. In yoga this is often called 'Plank Pose'. Hands are flat on the ground facing forwards. Raise the right hand and drop onto the right elbow. Raise the left hand and drop onto the left elbow. Raise the right elbow and putting your hand down straighten the arm. Raise the left elbow and putting the hand down straighten the arm. Then repeat this sequence also for 30 seconds to a minute. End in plank pose, and then raise the hips to return to Mountain Pose. Spend a minute getting the alignment right and paying attention to your breath.
The last mountain climb is a standing Duck Walk. The Duck Walk develops strength in the upper thigh muscles, develops stretching in the lower back muscles, and coordinates legs and balance in the squat position without the use of the arms. This seemingly harmless exercise gets really hard after a short period of constant fast movement. Starting from Mountain, jump both legs forward landing between the arms in a squat position. Legs a little wider than shoulder width apart. Drop your right leg from the squat onto your right knee. Then drop your left leg from the squat onto your left knee. Then raise your right leg putting the foot back on the ground into a squat, then raise the left leg and put the foot back on the ground into a squat. Then drop the right leg onto the right knee, and the left leg onto the left knee. Continue with this sequence for 30 seconds to a minute. End in the squat position and take a light leap back to Mountain. Drop the knees and pull your hips back into extended child's pose.
9:06 AM
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Saturday, November 25, 2006
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Plyometrics
Plyometrics is the name for a type of exercise developed to increase a group of muscles power to generate a large amount of force quickly. It may be used, for example, to improve the throwing power of a football quarterback or the effectiveness of a boxer's punch. Unlike traditional strength training exercises, plyometric exercises are performed quickly and explosively. The most common plyometric exercises include hops, jumps and bounding movements. One popular plyometric exercise is jumping off a box and rebounding off the floor back onto the box. Another is the clap push-up. Plyometric training works by exploiting the muscles' cycle of lengthening and shortening in order to increase muscle power. Plyometric exercises start with a rapid stretch of a muscle (the eccentric phase) followed by a rapid shortening of the same muscle (the concentric phase).
Plyometrics can be traced to Russia approximately 40 years ago when it was developed for the Russian Olympic team. Dr. Yuri Verkhoshansky is credited with creating the principle, which at the time was known as "shock training". While observing athletes, he realized that they had more strength and power coming out of a higher altitude landing when their muscles were stretched as opposed to a normal jump. The word plyometric comes from the Latin "plyo" and "metrics" meaning "measurable increases", because his studies with elite athletes showed measurable increases using the technique.
There are thousands of plyometric exercises, ranging from low intensity leg hops to high intensity drills such as box jumps, frog leaps, and burpies. Although these are typically associated with plyometric training for the adult athlete, common games and activities such as hop-scotch, jumping rope and jumping jacks can also be characterized as plyometrics because every time the feet make contact with the ground the quadriceps are subjected to the stretch-shortening cycle. In fact, plyometrics are a natural part of many movements, as evidenced by the leaping, hopping and skipping seen when children play.
Physical fitness trainers have long used apparatus to assist with plyometrics. For example, one plyometric exercise involves catching and tossing a medicine ball to an assistant while the exerciser lies on his back. The triceps and chest muscles work both while they are lengthening during the catch and while contracting during the toss.
Plyometrics (and any impact exercise) can cause injury if you don't warm up first and follow prudent safety precautions. The force generated during these moves requires that athletes use them carefully and with proper training. They should only be attempted if you already have good levels of strength, flexibility, and balance. A safe and effective plyometric program stresses quality, not quantity. Safe landing techniques, such as landing from toe to heel from a vertical jump, and using the entire foot as a rocker to dissipate landing forces over a greater surface area are important to reduce impact forces. In addition, visualization cues, such as picturing oneself landing "light as a feather" and "recoiling like a spring" after impact promotes low-impact landings. When landing it is important to avoid excessive side-to-side motion at the knee. Landing forces can be absorbed through the knee musculature (quadriceps, hamstrings, and calf muscle) more effectively when the knee is bending primarily in only one plane of motion. Due to the potential for injury and numerous different types of plyometrics available, it is advisable to work with a physical fitness trainer if you plan to use them in your training.
For further reading:
http://www.sport-fitness-advisor.com/plyometrics-for-martial-arts.html
4:21 PM
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Tuesday, October 03, 2006
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Tabata Anything - Four Minutes of Pain to Gain
The Tabata workout is a modern high-intensity training regimen that produces remarkable results. A Tabata workout is an interval training cycle consisting of 20 seconds of maximum intensity exercise, followed by 10 seconds of rest. This cycle is repeated 8 times (for a total of four minutes).
Credit for this simple but powerful training method belongs to its namesake, Dr. Izumi Tabata and a team of researchers from the National Institute of Fitness and Sports in Tokyo, Japan. Their groundbreaking 1996 study, published in the journal Medicine and Science in Sports & Exercise, provided documented evidence concerning the dramatic physiological benefits of high-intensity intermittent training. After just 6 weeks of testing, Dr. Tabata noted a 28% increase in anaerobic capacity in his subjects, along with a 14% increase in V02Max. (Maximum oxygen consumption). These results were witnessed in already physically fit athletes. The conclusion was that just four minutes of Tabata interval training can do more to boost aerobic and anaerobic capacity than an hour of endurance exercise,
Although Dr. Tabata used a mechanically braked cycle ergometer, you can apply this protocol to almost any exercise. For example, a basic Tabata workout can be performed with sit-ups. The more muscles used the better, so use full knees-bent sit-ups. Sit-up non-stop for 20-second intervals, followed by 10 seconds of rest. Repeat for a total of 8 cycles.
Your first reaction might be, "How effective can just 4 minutes of exercise?" The answer is… VERY EFFECTIVE! You will be amazed at how intense four minutes of exercise will feel. These intervals tax both your aerobic and anaerobic energy systems. To be clear, this isn't "eight sets of eight," although the goal of doing eight reps in each of the 20-second clusters is about right. Instead it's "as many reps as I can get in" during the twenty seconds, followed by ten seconds rest.
It helps to be able to see a wall clock with a second hand during your four minutes of fun. Stop at twenty seconds, rest ten seconds, and go again. Watching the clock helps with your focus and also in keeping count of the eight...
Here is a longer Tabata workout example. This workout consists of 4 separate Tabata Intervals, each 4 minutes. The total workout will last 16 minutes. Always begin with a moderate warm-up and cool down session. And if you aren't already in good shape, check with a doctor before trying.
* Jump Rope
* Pushups
* Squats
* Chin-ups or Pull-ups
Note the 10-second rest periods in the Tabata workout are important, both physically and mentally. Not only do they allow partial recovery, they also provide psychological relief. Switching back and forth from work to rest makes the workout go quickly. Plus, it allows you to train at a higher level of intensity, which what intervals are all about.
Another great Tabata exercise is the "squat thruster." The squat thruster is one of the great lifts being made popular by organizations such as CrossFit. Take two dumbbells and hold them at shoulder height. Squat down, pushing your rear-end back, keeping the dumbbells on the shoulders. As you rise up, press the bells to the overhead lockout position. You can either press as you rise or use the momentum to help "kick" the bells overhead. Keep your weight in your heals and go light! A 30 pound dumbbell in each hand is a very difficult thruster workout!
Pretty much any form of cardiovascular exercise that uses a large number of muscles can be tailored to fit Tabata interval workouts, so feel free to be creative. In addition to the exercises mentioned above, use them with sprints, burpees, a jump rope, the heavy bag, treadmill or rowing machine. Lessen the likelihood of injury by choosing a rate of intensity suited to your level of conditioning – be conservative. Incorporate variety into your Tabata workouts. A few sessions per week will offer plenty of intensity.
5:10 PM
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Monday, August 07, 2006
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More on Mashups - two new interesting/fun web-based tools
First, here is a nifty web tool that generates custom grafitti. Actually it's more of a web application than a mashup. To get the image here I had to do a screen capture and then crop with photoshop.
http://www.graffiticreator.net
And more seriously, here is a great real-time display of the blogsphere as tracked by digg labs. You need to let it run for a while to see it work. The bogsphere often reports on news events sooner than conventional media. This is a new application based on data mining of another web-accessed application. An in-house mashup at digg.
http://labs.digg.com/swarm/
8:57 PM
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Friday, July 21, 2006
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Kickboxing Combinations for Cardio Kickboxing
This is the second in a series on martial arts striking combinations used as choreography in cardio kickboxing. As said, a key difference between a trained martial artist and a streetfighter is that the martial artist reflexively hits in sequences of three or four moves. The instinctive non-thinking reaction isn't just a one-move event, its a more effective practiced sequence of strikes. One punch or kick is easy to defend against, but three or four thrown in a row can be very difficult to deal with.
This reflexive reaction of hitting in sequences is only learned through lots of repetition and drills, performing sequences over and over until it is an automatic reflex. Cardio kickboxing is an ideal way to do this. In fact many of the patterns in cardio kickboxing are drawn from such drills.
Useful for cardio kickboxing choreography, here are some real-world combinations culled from the martial art sport loosely called Kickboxing. What came to be known as competitive kickboxing is a constrained system common to a number of martial arts. The original brand of "Kickboxing" was developed in Japan in 1950 by boxing promoter Osamu Noguchi as a style/ruleset for beating Muay Thai fighters. In classic competitive Kickboxing opponents are allowed to strike with both the fists and the feet, hitting above the hip. However, unlike Muay Thai, using elbows or knees was forbidden and the use of shins was often not allowed.
Kicks are generally more powerful than punches and so are a valuable tool. But in practice it is a good idea to set up a leg kick with handwork first. A jab or two will make your opponent think about your hands...then you step and kick. Or jab/cross/right kick, with the cross either being more of a fake and push (which allows you to kick really hard) or a hard right that sets up a right kick It's more difficult to kick hard with this combo, but if you drill the guy with a good cross he'll be knocked back a bit and then you can step in...
- Jab, cross, lead hook, cover
- Jab, cross, lead hook, lead front kick
- Jab, cross, rear leg front roundhouse kick, cover
Introduce the sequences half-time, then depending on the students, double it up. For the last sequence above make sure to tell the students to bring their rear foot back to the rear-foot starting position after the roundhouse kick (instead of alongside the other). In practice the cover happens simultaneously with bringing the foot back.
Of course for every rule (punch before kick) there is an exception. This sequence works particularly well on the bags.
- Lead leg side kick, feet together, rear leg step back
- Lead leg side kick, feet together, cross with rear leg step back
These combinations can be repeated individually or in sequences either on the floor or with a heavy bag. Devote equal time to right and left leg forward positions. Most are oriented around smooth rotation around the spine, swinging the body so that each punch or kick winds up for the next. After you get the progressions down, start inter-mixing the combinations together in different patterns to present something different every class.
10:03 AM
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Saturday, May 20, 2006
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Linkedin, Facebook, Myspace
Linkedin is a social networking site, one of three major ones each aimed at different markets. Linked in for professionals, Facebook for college students, and Myspace for teens. Though all would like to get into each others space. :-) and are moving aggressively to do so. (For example Myspace just added a careers section. http://careers.myspace.com )
Recently someone asked me what Linkedin was good for.
- Linkedin is a good way to find who works where (like do a search for HP product marketing and note how many HP product marketing people you uncover).
- Linkedin is a useful way to find job opportunities and advertise yourself to headhunters and prospective employers. They do keyword searches looking for people, and go through the chain to get to you. Or recently linked-in has made it possible to request contact directly with someone you don't know (but you don't get their email and they don't have to accept).
- You have a way to find old contacts even if their email address has changed
- You can use it in a cumbersome but high-tech way to contact people for other purposes (I introduced myself to my son's girlfriend's mom through a common connection).
- If you want it to work, you have to add keyword text to your 'page' and build your network.
- All that being said, the value is not real strong. But it is a piece of the puzzle and connections are a good thing.
Of the three (Linkedin, Myspace, Facebook) I think Myspace will continue to be the most popular. I have all three types of accounts - but my Facebook one restricts me to my company colleagues with accounts of which there are few - so I have spent more energy on Linkedin and Myspace.
The biggest plus on the Facebook side is college kids who don't want their Parents to read their pages. And they let you store more photos. Don't think that these are as strong as the above.
If you use Google to search on a topic, a Myspace account will show up but a Facebook one won't (due to their tighter privacy). And although they have recently added the ability to make your page public, with Linkedin there arent a lot of opportunities to post stuff, add flavor, or interact with others. Not much there there.
Instead of just filling in forms, Myspace gives you the capability to customize what information is shown, including backgrounds, pictures and active links. Ive been able to weave it into outside sites (through interlinking).
Witness that there is a much more vigorous add-on market for Myspace than Facebook, and none for Linkedin.
It's interesting how highly the search engines, particularly Google, rank Myspace. A part of what drew me to it. Curiously within myspace the pagerank is very sensitive to what path into a page you took. I think that at first the ranking algorithms didn't handle social networking sites well, but they are learning fast...
The negative that Myspace has to overcome is its teen demographic and questionable reputation. But looking at the numbers, its doing that. Based on total pages viewed and the time spent by each visitor, MySpace now ranks No. 2 on the entire Internet, right behind Yahoo. Its reported to have over 65 million registered users. It had over 51.4 unique visitors in May (source: comScore Media Matrix, reported in WSJ). And its still exploding with growth of over 160,000 new users a month ...
1:12 PM
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Wednesday, June 14, 2006
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What do you do in your cardio kickboxing classes?
The class starts with a standing warm-up to the music, then progresses to classic shadowboxing sequences. I like music that starts in the 135 bpm range and rapidly climbs to 140-160 - moving to a fast beat creates energy and makes you sweat. After a half-hour or so we break and go to bagwork. Sometimes before the bagwork we do a follow-the-leader walk mixing up a variety of dog-walk, lunge-kick, frogger, etc.
Bagwork is punching and kicking combinations, often building on what was introduced the shadowboxing phase earlier. After bagwork we pair up and do a brief session of focus-mitt training, using our gloves as the focus-mits. The class ends with strengthening exercises and a yoga-flow stretching sequence.
The whole thing runs about 75 minutes, but the time passes quickly since the variety keeps things moving. There are some pictures from a class in my 'pics' section.
6:40 AM
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Monday, May 29, 2006
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Boxing combinations applied to cardio kickboxing
One of the differences between a trained martial artist and a streetfighter is the time spent practicing sequences or combinations of moves. The idea being to not just hit, but to reflexively hit in sequences of three or four moves. It is far more effective to barrage an opponent with a rapid sequence of blows than to just punch them once. That way if they block the first, or the first two, there is still something coming in to get them. Makes a big difference.
This reflexive reaction of hitting in sequences is only learned through lots of repetition and drills, performing the sequence over and over until it becomes automatic. Cardio kickboxing is an ideal way to do this. In fact many of the patterns in cardio kickboxing come from such drills.
Offered as food for thought, here are a variety of real-world combinations from boxing. All are oriented around smooth rotation around the spine, swinging the shoulders so that each punch winds up for the next. If you are a student, look for them in your class. If you are an instructor, perhaps they will provide food for thought in developing new choreography.
- One of the most basic, and effective, combinations is the Jab-Cross-Jab. To make it a four count, add a knee so it becomes Jab-Cross-Jab-Knee, progressing to Jab-Cross-Jab-FrontKick. This is a usually a staple in cardio kickboxing classes.
- An interesting variation is to change it up to a Jab-Cross-Hook-Knee.
- On of my favorites (I rarely teach a class without it) is a four punch sequence Jab-Cross-Hook-Uppercut. A good variation is Jab-Uppercut-Hook-Cross. Try intermixing the two combo's (it's hard).
- Another very effective combo is Hook-Cross-Hook. Add a duck or a front kick to make it a four-count.
- Hook-Uppercut-Hook: Very much like the Hook-Cross-Hook.
A cycle I use is to start at a slow pace on one side, then double-up the count, then switch sides and go back to a slow pace, then double-up. Looks like:
Jab-and-cross-and-hook-and-up, Jab-and-cross-and-hook-and-up, ..., then double-up to: Jab-cross-hook-up, jab-cross-hook-up, and so on
After you get some basic combinations down, start doubling up the jabs, or stringing the different combinations together. You will start to find what works and will be able to modify them to work for you.
9:35 AM
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Wednesday, May 24, 2006
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Adventure? in Sailing
Writing this after returning from the race. Nursing a fat lip and feeling beat up. I have a Catalina 27 which by Santa Cruz standards is a slow comfortable sailboat which we sail for fun in the informal Wednesday night sailing race. It was pretty windy and well into the race after a long downwind run we rounded a mark to head back to the harbor. A friend, Jay, was forward taking down the whisker pole. Suddenly the forestay, with the roller furling and the jib started flailing wildly. The clevis pin attaching it to the bow had failed and the forestay was no longer attached at the bottom. The bottom part of the roller furling on the forestay is a 25lb hunk of metal and plastic, the sail under load generates a LOT of force, the wind was tossing it around vigorously, and sum of this was dangerous to be around and seriously shaking the boat. I went forward and tied a line to it, in the process of which I was whacked into the deck splitting my lower lip. The foil by this point had kinked and we couldn't get the sail down. Nor could we lower the roller furling. So we tied it in a column. Then we fastened the spinnaker halyard to the bow to replace the missing forestay (so the mast didn't fall down) and motored home, with the wind in the parts of the sail still exposed making the boat shudder as we went.
When we got back to the dock I had to go up the mast and unfasten the top of the forestay to finally get the sail down.
I like to sail, but you have to be prepared to deal with things like this. It is a real pain when stuff fails out on the ocean.
10:30 PM
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