8:04 PM - Upcoming Event: Mad & Kristy Put the Normal Back in Paranormal
Current mood: adventurous
Madelyn Alt and Kristy Robinett
~~ Putting the Normal Back in Paranormal ~~
National bestselling mystery author Madelyn Alt and internationally renowned Psychic Medium Kristy Robinett are just your average, everyday girls . .. . who share a unique approach to life that includes dealing with the supernatural. But they like to think that's part of their charm!
Have you ever been curious about the paranormal, but are put off by subjects and/or presenters that don't fit into your comfort zone? Want to know if what you've experienced fits into the psychic realm? Have you lived with ghosts and want to know a little bit more about how to live comfortably with them? Or are you perhaps interested in writing the paranormal, and want tips or advice from a successful author in how it's done? You won't want to miss this event.
In celebration of the upcoming release of the 4th book in Madelyn's Bewitching Mysteries, NO REST FOR THE WICCAN, we invite you to join Madelyn and Kristy for a spooktacular event that will include Madelyn speaking about her National Bestselling books and Kristy discussing an array of topics, including that of growing up in a haunted house and what you can do if you are haunted. She will also conduct an audience reading where she will relay messages from the other side.
When: November 8, 2008 from 4:00 p.m. - 6:00 p.m.
Where: South Lyon Hotel 201 N Lafayette St South Lyon, MI 48178
The South Lyon Hotel was built on a cemetery…now how spooky is that?
Madelyn Alt is the national bestselling author of the witchy and hip Bewitching Mysteries, published by Berkley Prime Crime. The Bewitching series features small town single girl and fledgling empath Maggie O'Neill, her witchy boss, and an unlikely circle of ghosthunting friends, the N.I.G.H.T.S., as they investigate an increasing level of paranormal disturbance–not to mention a series of unrelated murders–in Maggie's hometown of Stony Mill, Indiana. In other words, they are: "Mysteries…. with Hex Appeal.."
A late-blooming sensitive/intuitive, Madelyn writes from her home, an 1870's era Victorian in northeast Indiana, which she shares with an extraordinary number of persons of the male persuasion of assorted ages and sizes, two Siamese cats who rule the roost, and a Shepherd-Lab sweetheart who is only too happy to let them.
So what's a nice girl like me doing writing about ghosties, ghoulies, and things that go bump in the night? Truth is, I've always been intrigued by the paranormal. I've experienced many things throughout my lifetime that have fueled that interest, not to mention experiences shared with me by others, people whom I trust. Isolated incidents can be explained away; these are not isolated incidents. They are also not the kind of things that can be proven easily by scientific methods. While that might sound like a pat answer, I've never been convinced that science has enough technology to have the right to pooh-pooh everything away. It seems the height of arrogance to say that we have all the answers.. The fact is, people are experiencing things that their logical minds want to explain away, but can't. That's not to say that science and the mystical won't some day coexist happily and sensibly, but until that day I think it's possible we're not meant to understand everything. Not yet.
The most important thing about life is the journey. Only at the end should we be able to look back and make sense of the lot of it. Part of the beauty is in the mystery.
There's no flowing gown. There's no crystal ball. There's just Kristy Robinett, Psychic Medium and Life Counselor - an 'Abnormally Normal' all American girl that talks to the dead.
Kristy's involvement with the paranormal began at the tender age of 3 when she began playing and speaking regularly with spirits, labeled "imaginary friends" by her parents. This behavior was unacceptable in her household as her family was very religious. This however did not curb her curiosity for the paranormal and the unknown.
Today, Kristy is an internationally renowned Psychic Medium. Her clientele ranges from young to old, law enforcement, clergy, politicians, celebrities, domestic goddesses, to every day people. Her dedication and passion to her work is performed with honesty, integrity and humor, which sets her apart from the rest.
Kristy donates her time assisting law enforcement agencies with investigations involving missing persons, murder, suicide, arson and psychically profiling criminals. She has earned a solid reputation for Spirit Releases, psychic home inspections for homebuyers and haunted house investigations, lecturer at special events and owner of Encharming Events LLC.
Kristy has the gift of bringing warmth and love when using her gift of insight to help clear the cobwebs of confusion along with helping people embrace their own intuitive gifts. Not always serious, Kristy has a wicked sense of humor that she likes to bring to her readings.
How did I get a gig talking to the dead? It definitely wasn't the profession that my parents were at all thrilled with. Going to parochial school from kindergarten through high school graduation, I was taught that anything to do with psychics were evil, as if I didn't already have a low self-esteem like most kids! It was neat, however, knowing when the pop quizzes would be or when I could shut off the alarm because I knew that there would be a snow day even before the weather men predicted it. So after trying the 'real' world for a long time, I screamed 'Uncle' and gave in to my talent and here I am, day after day, talking to the dead and chasing ghosts.
I believe that we create our own reality. By being passionate about life, you can achieve not just anything, but everything. I mean, it gets boring and depressing waiting for that winning lottery ticket, right?!
10:48 AM - A Night at the Opera -- with the Phantom of the Opera
Current mood: artistic
I wrote this for The Witchy Chicks, so thought I would share it here since I'm still off line and on deadline:
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I have been living in a hole lately. Not my fault, but not exactly avoidable. What this means is, I have done nothing, absolutely nothing, that could fall under the "miscellaneous culture" tag. No opera, no concerts, not even a movie. Heck, not even a dinner out!
I am, of late, culturally challenged.
So, with that in mind I bring to you tonight a memory of one of my all-time favorite musicals, Andrew Lloyd Webber's Phantom of the Opera. No, I have never seen it on stage. Yes, I had heard the LP of the music and fell in love with the music. But {but!} when ALW brought it to the big screen and changed the vision of the Phantom somewhat from disfigured psychopath to disfigured tragic man with a few unfortunate psychotic tendencies explained by his need to control an out-of-control world that would never understand him, a world that turned against him the moment he was born with his physical handicap, I fell completely and utterly under the spell. This was a Phantom I could understand. This was a Phantom I could pity. This was a Phantom in which I could see the man, not just the travesty.
The movie did it for me in every way.
I can't even begin to describe the sumptuous sets, the swell of the full orchestra that pours into you until you feel almost bursting with the music itself, the intrigue, the mystery. The sweetness of Christine {in the movie version, she is an innocent and very much naive of her own power over this mysterious man}, and the pure, knight-in-shining-armor love of her Raoul. But the Phantom . . . oh, the Phantom. Dark, dangerous, sinuous, sinister, mysterious, a bad boy in every sense of the word. His love for the music is evident from the first moment he appears on screen as he lurks several levels below the stage and allows the music to fill him. He smolders on screen from the moment he holds out his hand to Christine, a command to come to him. Confident on the outside, but pleading and yearning on the inside. . . The Phantom's power lies in his bravado, and he knows it. What's more, he's learned how to wield it well.
"I am your Angel of Music. . . Come to me, Angel of Music."
It still sends shivers down my spine.
After three and a half years of wearing out my CDs, I still can't listen to the music or watch the movie without tears, and I think that's quite amazing in this day and age. The emotional honesty of the premier voices never fails to amaze me. Emmy Rossum's haunting soprano blends seamlessly with Patrick Wilson's quietly accomplished Raoul, and the circle is completed by the raw energy and heartstopping pathos in Gerard Butler's appealing baritone--sometimes rough-edged, sometimes smooth and pure, but always, always compelling with sheer masculine power. If you have somehow managed to miss this, do whatever it takes to get your hands on it. You'll never forget it.
Here are some favorite scenes/music:
ALW wanted the Phantom to have a kind of rock and roll quality -- and boy, did he ever.
As evidenced by the way he swings that cape. ;> Music of the Night is one of the most beautiful pieces in the entire production.
Desire . . .
Love . . .
Betrayal . . .
Desperation . . .
And in the end, sacrifice . . .
All the elements of a timeless work that will live on forever.
And Gerard Butler as the Phantom . . . who would have thought at the time? Honestly and truly, Gerard Butler does tortured and conflicted better than anyone. His performance in some of these scenes completely blew me away. So much emotion. I know, as someone with empathic tendencies I'm more than a little susceptible . . . but there is just something very special about it.
I leave you now with a POTO fan video from one of my favorite video editors, BluEyedDaizy Productions. This aria appeared as the epilogue in Ken Hill's stage production of POTO to music from The Pearl Fishers by Bizet. Haunting aria, absolutely gorgeous voices, and Blu's ability to match clips from the film to the music with some truly beautiful special effects all make this an all-time standout for me. Even if you have no time to watch the clips above, please watch this one video and see if it speaks to you, too. :)
2:53 PM - Where-Oh-Where Has Mad Gone?
Current mood: tired
I just wanted to pop in here to let you all know what's been up on my end of things and give you a heads up about where I will be in the immediate future: Conspicuously Absent. :)
You see, I had rather a rude awakening the morning of June 30th. Out of the blue, I was faced with the sudden rupture of two disks in my lower back and a fairly excruciating level of pain that only seemed to get worse, no matter what I did. Bedrest was the only option while my doctors decided the best course of action, but even that and all the best painkillers in the world didn't seem to help. Surgery, however, did, although I am finding myself with widely vacillating levels of energy and am having to face up to the fact that I'm obviously not as young as I would like to believe, which seems to be affecting my bounce-back capabilities.
Anyway, as a result of all this, July went Poof! and here I am now in mid-August, seven days out of surgery and with a deadline fast approaching. Which means, my lovelies, that I am going to have to stick my nose to the grindstone in order to meet my writing commitments so that when next July rolls around, all of you will be able to get your hands on the fifth in the Bewitching Mysteries right on schedule.
For you. Always, for you. Because obviously *I* derive no pleasure from the creation of this morass of the mystical and mysterious.
Ahem.
I'll try to pop in from time to time, but feel free to party on here amongst yourselves without me... :)
4:23 PM - New Favorite Paranormal Shows
Current mood: sore
Having been relegated to bedrest a month ago due to back issues, I've been catching up on a lot of paranormal shows that I've missed or don't have access to, all thanks to the wonders of YouTube. In watching such a broad sampling of shows that come out of the US, the UK, and Canada, I've discovered something -- a difference in approach that helped to solidify in my mind what has been bothering me about some of the ghost investigation programs I've seen.
So many participants on the paranormal shows we see on TV here in America willingly--almost eagerly--bait the spirits they are investigating in order to gain a response that can be caught on film for the TV audience. I have seen this time and again on a variety of programs. They goad, they curse, they insult, they demand, they annoy, all in an attempt to get the spirits to act out against them. In fact, they sometimes comment proudly on the differences between their "American" techniques as opposed to the softer-toned inquiries made by their counterparts in the UK. When their methods border on disrespect, I will confess, it makes me uncomfortable to watch. I can't help but think that bad behavior is bad behavior, and is certainly nothing that should be encouraged.
Let's say you are a visitor to a place that belongs to someone else. Would you go into their home, guns blazing and mouth running, and disparage those who live there? It would be the height of arrogance and bad manners, and will probably get you booted right the heck out. I can't help but compare this to what some investigators do when they provoke the resident spirits. They want activity, any kind of activity, and seem to be willing to do almost anything to get it to happen. It's liable to get them more than they bargained for.
In sharp contrast, a month ago I attended a paranormal event at the Riders Inn, a bed and breakfast in Painesville, Ohio that just so happens to be haunted. I was excited to go. Not only was I attending with two of my best friends -- Kristy Robinett, an amazingly gifted psychic medium who could give John Edward a run for his money, and Jen H, a super-talented glasswork bead artisan whose artistry makes me drool -- but also because I was able to take part in a spirit contact group meditation lead by Kristy. This group approach is rare for me. I don't trust just anyone with the Other Side. Unfortunately I feel that a lot of people don't know what they're doing, even when they think that they do.
Kristy's kinder, gentler approach mirrors my own. Not only that, but she has the ability to communicate directly with the spirits and her Guides in a way that is fascinating to witness. I am sensitive to energies--living, residual and Spirit--but if I were to compare my abilities with Kristy's, mine would be a teensy pocket flashlight shining dimly into the abyss, whereas Kristy's would be blinding, casting the kind of light that obliterates darkness.
We did have spirits around us that night. Everyone at the table felt it, and for some it was a new experience, an awe-inspiring one. Unfortunately the inn also holds at least one portal, so when a negative energy crouched in the corner of the room, watching us, Kristy closed the link down, unwilling to give it the slightest reason to stick around. She didn't try to annoy or insult it. She didn't give it any attention at all. She merely closed the line of communication and quietly told us why. To me, this demonstrated her inner strength, a quality that I greatly admire and find so much more inspiring than the brash false bravado people see sometimes on TV.
I did have a more personal experience the next morning, but I'll save that story for another time. ;>
I'm not trying to be confrontational here, just to comment on what for me has become a minor sticky point. Of course I'll still tune in to all of the paranormal TV shows--there are many good examples out there, despite this post--but I have discovered a few new favorites:
Psychic Kids on A&E -- This program is all about teaching gifted children how to handle their abilities. Not only does it help them to understand themselves, but it empowers them, letting them know being different is not something to be ashamed of. Many of us have had to come to that realization on our own, so being allowed to witness the transformation of these wonderful kids coming into their own is so positive and life-affirming. I highly recommend it.
Paranormal State on A&E -- Young people with open minds investigating the paranormal world with both curiosity and respect . . . what's not to love? I tune in every week.
Ghostly Encounters on Bio -- I just happened to catch this show on a Bio Preview, and could not stop watching. The program is put out by our Canadian neighbors, and it, too, seems to have that kinder, gentler, more thoughtful approach to the world of Spirit. Instead of sending in teams of ghosthunters, this show has a distinct storyteller/interview format that allows the individuals who have been witness to ghostly phenomenon to tell what they experienced in their own voice. Being quite a fan of storytelling myself ;>, I was instantly captivated. We don't have access to the Bio Channel here, so I am only able to watch this on YouTube. If you aren't able to find it, try this YouTube Channel: http://www.youtube.com/user/ParanormRUs and search for Ghostly Encounters.
Sharing time: What about you? What are your favorite paranormal shows, and why? And does the antagonistic approach bother you, or is just one of my pet peeves? I'd love to hear your thoughts.
Love to all,
Mad {madly!}
Mad and the amazingly cool AshNay, whose mom drove several hours to get to Cleveland for the expo signing... Someone definitely deserves an award!
11:57 AM - The View From Here . . .
Current mood: nostalgic
I've been asked more than once, and since I've been out and about recently, taking photos of the surrounding countryside, I thought I would share a little bit of what it's like in Maggie's part of the world. And since Maggie shares my world, it shouldn't be too hard. :)
My home is not grand. It's a 140-year-old Victorian farmhouse that rests on a quiet street in a small town in NE Indiana, complete with wraparound porch and matching bay windows that would make lovely window seats if heating registers didn't negate that possibility. It was built at a time when things were made solid and made right {for the most part, heh}. Over the years, things have settled here and there--few rooms are square, floors creak and aren't what anyone would call level--but it has seen a lot in its time, and there is a sense of that. It's a work-in-process, never completed--something is always needing fixed, or fixed-up, or torn out and completely done-over--but it's stately in an everyday-familiar sort of way, and it has a grace and serenity that speaks of having seen many days, many families, many lifelines, and much love, and that appeals to me.
Indiana in the summer is lush and green and beautiful in a way that makes me feel alive and very much a part of the inner workings of the world. I mirror this, as many do on a subconscious level, with my love of hearth and home, with my love of neat and orderly vegetable gardens and wildly chaotic flower beds, clipped lawns, and overgrown trees. I love the Midwest. I love the way that the world progresses all around us, and while it does reach us here, we retain a bit of the old ways, kept sacred by a few of us who remember. I love the circular path of the seasons, and the way that no matter how many years and seasons pass, there is always an air of newness to each one, as though it was the first we've ever witnessed. I love the sound of the wind in the trees, the way the sun looks mid-morning as it glints through tree leaves, and the golden glow of it as it begins its descent in quiet evening hours. I love the rain--wild, at times, and at others, as gentle as a mother's kiss. I love the smell of freshly clipped grass, and the first lilacs of spring. I love the way the wind makes ocean waves out of a field of wheat, and I love the way it whispers through the drying cornstalks in autumn. This is Indiana--all of the Midwest, really--and it is not just "flyover territory," as I've heard it so uncharitably referred to by people on both coasts whose lives move a little faster than ours. You may view our ways of life as being old-fashioned, but that doesn't make us relics. We just blend the old with the new and go on about our business the way people of the heath always have. :)
So, what do we do here?
We hang out {though not often in trees . . .}
We get together for backyard barbecues on indecently hot and muggy summer days, when it would probably be smarter to stay indoors in the air-conditioning . . . and I will not mention the mosquitoes. Or the ants. Or even the earwigs.
We go fishing
and sometimes find unexpected treasures.
We talk to frogs,
make funny faces,
and do goofy things.
Some of us grow out our hair and don't like being seen in the garden,
But we can always find peace in our own backyard.
Sometimes we venture out elsewhere,
where the antics of the natives never fail to amuse and delight,
and where sometimes we unearth more unexpected treasures along the highways and byways.
We might go for a bike ride through the twilight down a long, deserted road
and discover that beauty lies around every bend.
It can be found in simple things, like a freshly tilled field,
in an old bridge that leads to nowhere,
in the sadness of abandoned homes and farms,
in nature,
even in the angular structure of a feed mill
or a water tower silhouetted by the evening sun.
We weather many storms
but stay strong through it all, because we have each other.
Sometimes we stay up past the witching hour
and gaze in wonder at the moon.
And when it all gets to be a bit much,
we rest.
I hope you all enjoy this glimpse. This place, these people, are special to me. :)
Wishing you all faery kisses and midsummer blessings,
Mad {madly!}
Currently
listening
:
Carpe Lumen
By
Elijah Bossenbroek
Release date: 2007-09-07
3:53 AM - A MySpace Exclusive--Sneak Preview of NO REST FOR THE WICCAN
Current mood: artistic
Since I am on deadline and will be noticeably quiet for the next couple of months, I thought I would give all of my MySpace friends an early preview of NO REST FOR THE WICCAN, 4 in The Bewitching Mysteries. NRFtW will be released November 4, 2008 {although you're likely, as always, to find it on bookstore shelves a little earlier than that}, and is available for pre-order now on Amazon. I will post the cover art just as soon as I have it.
Also, a side note for my Ohio fans: I will be signing books at the Meet the Spirits paranormal expo near Cleveland, Ohio on June 29, 2008. I'd love to see some of you there. You can read all about the event here: http://www.meetthespirits.com/events.php
Without further ado . . . the snippet. Hope you enjoy!
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My name is Margaret Mary-Catherine O'Neill—Maggie, please, only my mother goes the long way 'round the bend—and I am a lifelong resident of Stony Mill, a mostly uninteresting small town in Indiana.
Mostly.
I used to think that living in a small town meant boredom, monotony, and slim pickin's in the way of potential male companionship.On the other hand, I also used to think a belief in magic, ghosts, and witches was a symptom of an overactive imagination, wishful thinking, and possibly even outright insanity.
Kind of funny, when you think about all that has happened here in the last eight months.
And all in this sleepy little town.
Except you won't find me laughing.Would you, if you discovered within yourself a previously unacknowledged ability to discern, and even feel, the hidden, secret, most private emotions of others?The ones they don't want anyone to know about?It's a little unnerving.Unfortunately there are no twelve step programs for empaths.No magic pill to make it all go away.Just like all the other intuitive souls out there in the world, we empaths are on our own, for better or for worse.
And actually, come to think of it, there was also nothing boring or monotonous about the strange disturbances that had been popping up all over Stony Mill, either.Turbulence of a sort in the fabric of energy and matter that makes up the reality the rest of us see and feel and experience.Ripples that seemed to have opened a door and put out a great, big welcome mat for all sorts of weird phenomena.In the beginning, only sensitives noticed the change in the tides, and only those sensitives with a deeper familiarity with matters esoteric understood the significance of what they were feeling.
That chaos energy was on the move.
Dark energy.
That's where the N.I.G.H.T.S. come into the picture.The Northeast Indiana Ghost Hunting and Tracking Society, that is.Headed up by my witchy boss Felicity Dow (at Enchantments, of course--Indiana's finest mystical antique shop), my band of ghost-hunting buddies have been a big help to me in learning to understand more about myself, and to gain some much needed confidence while together the lot of us plumbed the depths of the mysteries of Stony Mill—mysteries both dark and light combined.
For as any good metaphysician will tell you, one cannot exist without the other.I took comfort in that knowledge.That dark could never overpower light.That light would always exist, no matter what.As long as that was true, there was always hope.
A girl needed to have hope.Especially when all the signs pointed to the weirdness in town getting worse.
Scoff if you will.I know how strange this all must sound.A year ago I would have scoffed, myself, but all that I've experienced has since opened my mind.I'm still not convinced that's necessarily a good thing, but I am learning to deal with it.My way.
As for the charge of slim pickin's, it seems I might have been too hasty.A girl with two very different men vying for her attention can hardly complain.What to do with the two of them, well, that's another problem entirely.
My name is Maggie O'Neill, and this is my story.
In researching my newly recognized "talent," I'd read that many empaths tend to be unusually susceptible to the weather, reacting to it on more than just a physical level.Perhaps there was something to that theory, because there was something about a hot, sultry night that never failed to set my nerves on edge, and this summer had had no shortage of them.Summer . . . that's the thing.Summer, it wasn't. Not yet. Not quite.The formality of the summer solstice was still a little over a week away, but already we'd seen enough searing heat to brown the grass and drive people indoors to the cool relief of overworked air conditioners.Between the hot sun and a shortage of rain, the green lushness typical of mid-June in Indiana had thus far failed to manifest.Fields of soybeans and corn that should be beginning to flourish struggled valiantly to deepen their root systems in the crumbling soil, while above ground their growth had faltered, their yellowing leaves coated with the gray dust that was raised from gravel roads with every vehicle that traveled them.Local farmers eyed the sky beneath glowering brows, searching for a hint, any hint, of the much needed moisture.
How it could be as steamy as it was without rain, I had no idea, but it was enough to try the patience of a saint.And Saint Margaret, I was not.Not even close.I was actually beginning to be glad I lived in the basement apartment in the old Victorian on Willow Street rather than on the upper levels.Home to the occasional shadow creature my dark little apartment might be, but at least the surroundings were always a temperate (if damp) seventy degrees, and without the monstrous electric bills my best friend Stephanie Evans, better known as Steff, endured in her apartment two floors above me.
Still, a girl started to go stir-crazy if she stayed home too often.Which was one reason why I had allowed Tom—Fielding, that is, my on again, off again, not-quite-boyfriend—that steamy, Saturday evening, to sweet-talk me into a moonlit drive down to the sunken gardens in the old limestone quarry.The other reason being that I was still trying to make up to him, at least in my mind, for my unplanned lapse in ethical judgment six weeks ago, when I'd allowed Marcus Quinn to kiss me.Marcus Quinn, the delectable male witch I had once mistakenly written off as being attached to my boss.Marcus Quinn, who'd let me know in no uncertain terms that he was most definitely interested in me.Marcus Quinn, who with his shoulder-length dark hair, blue eyes, and laughing demeanor had teased his way into the illustrious position of Temptation No. 1 in my life.
Marcus, Marcus, Marcus!
Forgive the Jan Brady moment, but I will hereby confess to a general state of man-centered confusion.At least Tom was a known commodity.There were variables when dealing with Marcus.Unknowns.Call me a wuss, but unknowns made me nervous.He made me nervous.
Wow, did he ever.
I'd been avoiding him ever since.Or trying to.
Tom, on the other hand, I'd been doing my best to get to stand still.It had been six months since he'd told me he wanted to date me.I'd been trying ever since to figure out what exactly that meant to him.A lot of things had been implied, but never anything definite.There are just some things that a girl needs to get clear in her mind.Like, were we an item, or weren't we?Enter Steff, my very own bona fide Love Guru.She would just shake her head at me and remind me that love was all about the heart, not the head, whenever I voiced my concerns. But then, Steff had an innate confidence I'd always wished for but had never quite managed to acquire.
Back to my Saturday night interlude . . .
Closed to business long ago, the quarry had found new life in years past as one of the top make out destinations in Stony Mill.Not, perhaps, the usual haunt of a couple of non-teenagers, but desperate times called for desperate measures.We'd been there all of ten minutes, trying to get into the experience, when I remembered why desperation was such a necessary part of the equation for an illicit summertime visit to the local Lover's Lane:overheated lip-locks, a steamed-up windshield, hip bruised by a badly positioned seatbelt, bloodthirsty mosquitoes, and the constant embarrassment threat of seeing someone you know stroll past did not make for full-blown seduction.
What had I been thinking?
To make matters worse, Tom was "on call," which as an officer of the law and Special Task Force Investigator was a nice way of saying he was really on duty, but allowed to do things he wanted to do unless his attendance was required elsewhere.Which also meant that the occasional squelch and squawk of the police radio was our romantic accompaniment.Which also meant that Tom's attention was—how shall I say?—diverted.
When I first realized that he was pausing to lend an ear to the portable police radio he carried as part of the job, I almost thought I must be mistaken.After all, his eyes were still closed; it could just be the heat getting the better of my imagination.With the second lull, though, I frowned and concentrated on putting more effort into keeping his focus on the business at hand . . . so to speak.But by the third breather, when he'd actually lifted his lips from mine and put our proceedings on hold while he trained his ears to the numerical call codes and details that followed, I was starting to feel a bit peevish, pent up, and put out.Between the heat, the steam, and the inevitable hurt feelings, any willingness to participate on my part had evaporated in a way that the sweat dampening my frizzing hair would not.
I extricated myself slowly and began to untwist my clothes.Tom shifted to make way for me, but his body was still on high alert, his eyes focused hard on the red power light on the radio as the call detail concluded with a noisy squelch.I don't think he'd even noticed the loss of our romantic evening mojo.
That hurt my feelings even more.
I tried not to let it.His job meant the world to him, and the last thing I wanted was to be one of those needy, self-absorbed women who have to be the primary focus of their man's life.But, geez.Call me high maintenance, but in her more intimate moments, didn't a girl deserve a little priority?
"Maggie."Tom was already buckling himself in on the driver's side as simultaneously he started the engine.I knew what it meant.Without a word I reached for my buckle."Maggie, we're going to have to go.Both of the guys on duty are in the middle of things right now, and there's been a report of trespass and possible break-in at the feed mill in town."As he threw the truck into gear, he glanced over at me and added as an afterthought, "Sorry."
I sighed.Sorry he might be, but this seemed to be happening more and more often on what little time we managed to find together.Not that it was always Tom's fault; life at Enchantments, Stony Mill's answer to an upscale gift shoppe and secret witchy emporium, was keeping me busier than I ever would have imagined.Business, as they say, had been booming.
"It's all right," I told him, trying hard for magnanimity."You've gotta do what you've gotta do."
He reached out and squeezed my hand."That's my girl."
As we left the old quarry, I wondered how many couples had been startled out of their clinches by the bouncing headlights that identified our hasty departure.Then again, would I have noticed, had I been suitably enthralled?Hmm, probably not.
I turned my attention to Tom, keeping my expression neutral and my tone light."Are you dropping me off, then?"
He shook his head."No time, not if we want a chance in hell of catching whoever is there.Might be nothing, but better to be safe than sorry.You'll stay in the truck and lock the doors."
It wasn't what I'd wanted to hear, but it was all part and parcel of seeing a cop.Whether I liked it or not, there would be times he would be called in to duty, and whether I wanted it or not, there would be occasions where I would be with him when the calls came in and circumstances would necessitate my being taken along for the ride.Such was life.
I really didn't like it, though.I'd seen enough danger in the previous eight months to last me a lifetime, and none of it had been by choice.
We were traveling indecently fast up the bumpy county roads, slowing only a little before blowing through stop signs at the crossroads.My heart made a scaredy-cat dip every time.I managed to stifle any squeaks of distress, but I feared my fingers would make permanent dents in the soft parts of the doorframe by the time we drew near to the edge of town, where the pseudo-skyline of the feed mill loomed on the horizon, backlit by security lights in the steamy night air.
The Turners had owned the feed mill, the largest collection of grain elevators in the county, as far back as I could remember.A small village worth of silos of varying diameters and heights, the tallest stretching as high as a ten-story building, this hub for the farming community had changed drastically from when I had visited with my Grandpa Gordon as a child.Back then, it had been little more than some old silos, a dusty roundabout, and outlying holding pens for hogs heading for slaughter.Now the new-and-improved array of silos were interconnected by an extraordinary number of ramps and conveyer systems, the hog barns looked pristine—at least on the outside—and the very air itself whirred and buzzed with the noise from drying fans that looked big enough to drive a truck through.I remembered seeing an article in the Stony Mill Gazette about major renovations at Turner's and how they were costing a pretty penny, but this was the first time I'd been out this way in quite a while.Technology, it would seem, had arrived at last in the farming sector of Stony Mill.
As fast as we'd traveled through the surrounding countryside, now that we were drawing nearer the feed mill, we were creeping by comparison so as not to broadcast our approach. Next to me, Tom had gone instantly, perhaps even reflexively, into police mode, his entire body on high alert.His eyes grew sharp, moving here and there, taking in all the shadowed coveys, the many pockets of quiet where a person could easily be hiding.
"Jesus," he said under his breath."Where to start?The guy could be anywhere."
I watched as he unlocked the glove compartment and withdrew his ankle holster, his eyes still on the quiet scene in front of us.Without a word, I reached behind the seat and grabbed the heavy utility belt and bulletproof vest he always kept at the ready like the Boy Scout he was, and handed it to him.
"Thanks."He opened his door and stepped out cautiously, drawing the vest over his head and securing the thick leather belt around his waist with a quick and practiced motion.He slipped his hand into the pocket of his jeans, withdrawing a big pocket knife, which he tossed onto my lap."Here.Just in case.Stay put.Lock the doors behind me."
He closed the door firmly but quietly and moved away from the pickup with all the grace and danger of a panther on the prowl.His plain white T-shirt and blue jeans stood out all too easily beneath the bright glow of the security lights.A sitting duck, if anyone was out there with a serious reason for not wanting to be caught.Remembering what he'd told me about taking precautions, I punched the Lock button, feeling far more secure as the solid ka-chunk of the tumblers crunched into place.The weight of the folding knife in my hand reassured me even further—not that I'd need it, but its presence eased my mind anyway.At least, for myself; for Tom, well, that was another worry altogether.
This was the hardest part of dating a cop.One never knew from day to day whether his health and well-being would continue.I found myself leaning forward on the truck's bench seat, staring out the windshield at the pockets of darkness as Tom darted in and out of them, hugging close to the walls.Why didn't he take a flashlight?I wondered, fretting.Maybe I should turn on the headlights . . .
I forced the thought from my head and made myself relax back against the seat.There was no way Tom would see that as anything other than interference, and