Susan Werner

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Aug 2, 2008

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Saturday, July 12, 2008

7/25/08 Northeast: Susan in Great Barrington, MA @ Guthrie Center

This coming Friday, July 25th @ 8:00 pm, Susan will play at the historic Guthrie Center in Great Barrington, MA.

This is a beautiful little venue, and we recommend that you buy tickets in advance to guarantee that you get a seat!



SUSAN WERNER IN CONCERT
Friday, July 25, 2008 @ 8 pm
The Guthrie Center

4 Van Deusenville Road
Great Barrington, MA 01230
413-528-1955
www.theguthriecenter.org


Those of you going to the Falcon Ridge Folk Festival might consider stopping by on your way to the Festival grounds!

More on the Guthrie Center:
The Guthrie Center (also known as The Trinity Church) is where the song "The Alice's Restaurant Massacree" began and where the movie "Alice's Restaurant" was filmed. In November of 1965, Arlos Guthrie stayed with his friends Alice & Ray at their home (The Guthrie Center) and wrote the famed song. Now the Guthrie Center hosts concerts and community events year round in the picturesque Berkshires location.

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Thursday, July 10, 2008

7/23/08- SW back in Chicago @ the Auditorium Theater

Join Susan for a home-town performance in one of the most unique concert-going experiences you'll find. Susan plays the Chicago's Auditorium Theater this coming Wednesday, July 23rd @ 7:30 p.m. What makes this show special? YOU, the audience, will join Susan on the stage in an intimate cabaret-style seating arrangement overlooking the theater itself. Click the web link below for a sneak peak.

Wed Jul 23, 2008 7:30 PM
Auditorium Theater of Roosevelt University

50 E. Congress Parkway
Chicago, IL 60605
312-922-2110
www.auditoriumtheatre.org


See lovely pictures of the Auditorium Theatre on their Myspace page .

NOTE: $75 premiere seating is SOLD OUT, but limited space is still available in the $50 ticket price range. Every seat is a good one - you'll be up close and personal with Susan while enjoying the view of one of Chicago's finest theatres, a view that's generally reserved only for the performers!

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New Interview: Saints Alive (Susan Werner & the Gospel Truth)
Category: Religion and Philosophy

An excerpt from Saints Alive Magazine - the quarterly newsletter of All Saints' Episcopal Church, Atlanta, Ga)

The Gospel Truth: Singing About Faith and Doubt


"With this project, I wanted to say the unsaid thing, which is what the best songs always do. And here are two unsaid things people wish they could say about religion in America: 1) I'm a nonbeliever but I wish I could believe, because I see the deep sense of purpose the church can offer people, and 2) I'm a believer but I have very serious, troubling doubts and disagreements with the church."
-Susan Werner


by Tracy Wells


Anyone who caught Susan Werner's May 18 show at All Saints' can testify first-hand to her captivating stage presence and quick wit. But Susan is also an incredibly thoughtful songwriter, throwing herself into her albums with the discipline of a graduate student writing a term paper.

Susan did her homework for her most recent album, "The Gospel Truth." A self-proclaimed agnostic who hadn't darkened the door of a church in years, Susan spent several months attending over 20 different churches around the country to hear the music and to "challenge her preconceived notions" about the faces of American Christianity. And the result is an album that is at once faithful and irreverent, that gives voice to the complexity Susan found in the pews across America.

Here I catch up with Susan and talk with her about faith, doubt, music, and "The Gospel Truth."

Tracy: There is a lot of theology in "The Gospel Truth." The album is rich in complexity, from more traditional songs like "Did Trouble Me" to more "edgy" pieces like the new "Our Father." If you could sum up the central theological message of the album, what would it be?

Susan: To be honest, I'm not quite sure what the album says about God. I know what it says about us as human beings--which is, we are complex creatures. And that we can hold faith and doubt together in our hearts and minds simultaneously. That message alone is what drives this project, what moves it by word of mouth from one friend to another all around the country. I had no idea what I was getting into with this, but it's been by far the most rewarding project of my career. This record seems to mean so much, so personally, to so many people.

Tracy: You have said in previous interviews that music itself comes closest to being your "religion." What about music makes it a spiritual experience for you?

Susan: There's the element of total absorption in doing something, whether practicing my scales or writing a new song--it feels something like prayer, I think. And there's the joining with others--making music with others, whether it's with my bass player or my harmonica player, or improvising with anyone. You find a common humanity with someone else in the experience of making music.

It's also a spiritual practice in that you know when you are faking it in performing a song, you just do. It keeps you honest with yourself and lets you know when you're falling short--which is what a vital religious practice does, too, I suspect.

Tracy: You have said in a previous interview that perhaps agnostics and atheists miss out on the opportunities that organized religion provides to motivate people to do good in the world. Do you think music can serve this same function?

Susan: I see people really smiling when they leave a great concert--smiling, embracing each other, in the same way they do after a good church service. But I'm not sure music moves them to be generous the next day in the same way a religious service might. I'm not sure it installs kindness on the hard drive.


There are similarities between concerts and church services--but at almost every church I went to, there were the elderly and/or people with physical and mental challenges. Concerts are mostly for the wealthy and healthy.

For those of us who don't go to church--we have little reason to interact with people who aren't part of our work environment. I think that sometimes results in a kind of myopia--we start to believe everyone in the world is part of the workforce, because that's all we see outside our homes. It impoverishes our lives, only to associate with people like us, and with our abilities. That's one argument for the church, right there.

But I can tell you this--since doing the Gospel project, I've had to hold my tongue a few times-- I had to live up to the better messages of the project--and be a good "Christian"-- because I knew I was going to sing these songs that night and I could not let myself be a jerk. Really.

Tracy: In the churches you visited while doing your research for The Gospel Truth, did anything stand out as a particularly powerful example of theology being expressed through art?

Susan: The choirs in the African-American churches were astounding. It's a kind of musicianship that isn't much appreciated in the academic or conservatory world, and that's a tragedy, and a loss on both sides. We are talking high-level musicianship--and much of it learned and performed by ear, so it has an incredible vitality. Incredible.

I found the Orthodox Church service I attended fascinating, as the entire service was sung, not spoken. I liked that a lot. We talk all day, every day. Singing is a total relief from our everyday routines.

I had a mentor who once said that the Roman Catholic Church lost something important when they gave up the Latin mass. I agree--what they lost was the refuge that it offered from everyday language; your brain enters a different wave pattern when you recite prayers in another language. I'm not a theologian, but I did grow up Roman Catholic and that's one thing I'd talk to the Pope about. Bring back Latin. Really.

Tracy: The album has been very well received amongst churchgoers. What does this do to your sense of the album as an "agnostic" album?

Susan: I've learned how very many church-going people, and even clergy, have harbored unexpressed and lonely doubts over the years... what's funny is how many people come up after a show and they buy the CD and say, "Now, this one's for me and now sign this second one for Father Frank." As far as it being an agnostic album, I think I've learned with this project that I'm barely agnostic. I mean, I just barely qualify. I believe in a great deal of what the church teaches... I'm just not sure there's a God somewhere steering the big car, ya know?


Singer/songwriter Susan Werner was our guest for the Café Night on May 18. Tracy Wells is the All Saints' webmaster, who encouraged Lauri Begley to invite Susan to All Saints.'

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Monday, June 04, 2007

Myspace Exclusive Interview

In the middle of her cross-country tour (look for dates near you at www.susanwerner.com), your trusty webmaster caught up with Susan Werner.

 

 

 

Hello Susan- Where do you find yourself now? ..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />

 

A wi-fi coffeehouse in Saugatuck ..:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />Michigan, the so called Cape Cod of the Midwest.  a bit of a stretch, that, but it's plenty pleasant here.  hey, a couple drinks, and the lake looks a little atlantic. 

 

 

 

Gospel Truth

 

How has the tour been going for you? How has the audience reaction been to the new project "The Gospel Truth"?

 

well, i totally stepped on something with this one.   everybody wants to talk to me about this project – that's the language they use – "I really want to talk to you about this CD" – it seems to bring so much up for people - in their own lives and experiences with the Church in America.   

 

and it seems, for the last few years anyway, as if music has been divided into two camps with regards to the church – either unquestioning praise gospel/Christian pop or far left folkies calling it all ignorant horsesh*t.   and never the twain shall meet.

 

but the twain does meet – in a lot of us – who know the Church to be f*cked up in so many ways, but also know that the Church can inspire us to think of others, help others, take action on behalf of other people – to ENGAGE with our families and communities, and not just live lives of endless pleasure seeking and complaint. 

 

so i  decided, with this project,  to try to acknowledge both sides of the divide – and found that there are many, many of us who are putting the sacred and the secular together, side by side, in our lives.  and it's comforting to know we're not alone, we are so not alone, in doing this. 

 

 

 

Where did the idea for "The Gospel Truth"? Did the songs come instantly, or was it a lengthy process?

 

i thought i'd write a blues album, started listening to Chicago Blues and Bessie Smith and Robert Johnson and others, but i just got so tired of the "my baby done me wrong" routine - just couldn't get worked up about that part of it. 

 

but when i went to the Chicago Gospel Music Festival in June 2006, all the lights went on.  because i was so overwhelmed and excited by the music – the choirs, the intensity of the performances – and at the same time i was kinda freaked about by their certainty that there was a God who was gonna make everything alright.     because i'm anything but convinced of that. 

 

and that disconnect – that discomfort - well, i've learned anymore that that's where all the best songs reside.  in the friction.  those are songs that seem to need writing – they even seem to write themselves, once you find out where they're hiding.   

 

 

Did any songs miss the cut for "The Gospel Truth"?

 

yes, we had to leave off "I will leave this world in good hands," a ¾ church ballad, a type of "let me die easy when I die" type of gospel tune, and also "o doubt," a pop sounding tune.  we'll probably send those around as bonus tracks for free soon – but they just didn't quite fit the parameters of the rest of the project, once we had all the songs recorded.  

 

 

Tour

 

Do you have any plans to tour overseas anytime soon?

 

we're putting together a British invasion plan – don't let the british know – for 2008. 

 

 

No Susan show is ever the same- how do you come up with songs to play each night?

 

part of it's a list of songs from the current project and past projects, part of it is based on my personnel for the night – sometimes i have the full band, sometimes i have Trina Hamlin on harmonica, or Greg Holt on bass – and that'll dictate some of what i choose to play – but also i'll steer off into the high grass if the audience energy seems to want it, require it, or if i'm in an odd mood.  i did a show in Binghamton this spring where i sang in portugese (a samba cover of a phil Collins tune), French (an aria from carmen), and Italian (madam butterfly), just because i felt like it.  i don't know what it is about Binghamton – mighta been the wine -

 

 

 

What guitars do you have with you on tour? 

 

i just carry my Jenkins custom chameleon guitar around, it does most everything i want.  i'd carry more but dragging axes around is, frankly, a drag. 

 

 

 

About how many dates do you play a year? 

 

oh god what was it, 120 last year?  something like that. 

 

 

 

Any shows from the past that stick out as extremely memorable?

 

well, there's always the naked folk festival in West Virginia.  i mean, you don't forget playing an event like that.

there was the West Chester Pennsylvania roof of the parking garage gig when the thunderstorm was coming from ten miles away and we all saw it coming the whole time and I sang as many rain related songs in a medley as I could remember in the half hour before all hell broke loose – lightning, hail, etc. 

there was the Beacon Theater show in New York in 1996 with joan armatrading  - i was special guest - where I walked out and everybody knew my songs from my first strummed chords.  that was freaky – an introduction to the power of the radio to create audience.   amazing. 

 

 

 

Who have been your most recent music influences?

 

i dig sufjan stevens a lot.   weirdly, i'm also into cat stevens.  really. 

 

 

 

Have you ever felt starstuck playing throughout the community?

 

i'm not sure i understand the question - but i've been starstruck by richard thompson everytime i see/hear him play, he's just so brilliant it hurts my head.  and seeing ani difranco solo at falcon ridge, that was beyond the beyond.   have i been starstruck by myself?  if that's the question, well, no.  i've written some songs and played some concerts i thought were pretty good, though. 

 

 

 

Today's Environment

 

Your song My Strange Nation touches upon several topics that America is facing. In your opinion, what are some solutions to making America a better place?

 

quality of education de-coupled from local property taxes - access to quality education regardless of income

civil unions for everybody - marriage u gotta go to church for that

health insurance de-coupled from employment - access to healthcare regardless of income

manhattan project - scale effort toward american energy independence

more americans speaking arabic and chinese, like, yesterday

 

 

 

Have you ever considered running for a political office?

 

no no and more no

 

 

What are your feelings on the upcoming 2008 presidential election?

 

weird - it's the secular right and the religious left on the rise right now.  that's the opposite of the traditional party identities for the last twenty years.  here's my guess:   i think you'll see a democrat win, unless we experience another terrorist attack on u.s. soil, then you'll see giuliani and the secular authoritarian law and order right win.   that's my two cents, and about what it's worth, too. 

 

 

Songs and Songwriting

 

 

What song are you most proud of in your entire career and why?

 

i like "i can't be new. "  just think it's a good melody, good lyrics, and a great concept - a concept given to me by my road manager famous jane, by the way - i have to admit that.  

 

 

 

Are there any songs that you do not like to play live? 

 

nah, i'll play anything. 

 

 

 

What song has taken/is taking you the longest to finish? 

 

"sunday mornings" took a long time, it musta sat around for months, because i wasn't sure what had to happen in the bridge, couldn't quite figure it out.  actually, listening to sufjan stevens helped me, because in the middle of his songs, he'll just float off somewhere into a free association zone... seemingly disconnected from the rest of the tune and the harmonies and the concept.  i repeat, seemingly...  because it isn't.   so i decided to just write another melody and harmony section right in the middle of sunday mornings - and that seemed to do the trick. 

 

 

On your DVD, All Mapped Out, you were still writing on a typewriter. Have you stuck with the typewriter or given in and bought a Mac like everyone else?..

 

of course i have a laptop at home, but for my songwriting office, i still write on a typewriter.  i'm not writing a novel - i'm writing a few verses - so i don't need to store enormous amounts of text.  and if i can't remember it in my head, it's probably not a good song anyway, has no internal logic to it.  lo-tech is a songwriter's friend, as i see it.   forces you to keep it simple. 

 

 

Future

 

Do you plan on releasing any more songbooks? 

 

i've received so many requests for lead sheets for The Gospel Truth that i plan on getting something out there sometime soon.  i know people are playing these tunes in all kindsa settings, in concerts and at parties and also at churches, which thrills me - and i wanna help the cause, because this record is about a whole worldview, not just a song or two.  i think if we can all mellow out about religion, we can get on to working on stuff that matters more, however ironic that may sound to some "faith first" types. 

 

 

Throughout your career, you have amassed a hefty sum of unreleased tracks. Any intentions to release some?

 

oh god, if i can remember where they are.  floating around my office somewhere, and on a few bootlegs some fans have stashed away someplace. 

 

 

What, oh what will you do next?!?

 

i will go to the counter and order a another vanilla nonfat latte.  beyond that, i'm not really sure.   :)

 

 

 

 

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Friday, March 16, 2007

New Message Board

Looking for a place to chat about the great Suzie? Check out the congregate section on susanwerner.com. Also look for upcoming video, tour dates, and links on where to buy the new CD!

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Thursday, October 05, 2006

NEWSFLASH: Fall '06

SW currently in the studio in Philadelphia recording the so-called "godless gospel" project, due out March o7. Pray for her - or don't -

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Friday, September 15, 2006

Suze News- Fall '06

..



Suze News, September 06





Hello, friends:


While driving back to Philly from the Warwick Valley Winery (NY) gig this past Sunday (I'd like to recommend their Pear Cider, by the way, OUTSTANDING) .. road manager Jane mentioned, yet again, that I should buy an RV... We coulda used one at Falcon Ridge Folk Fest this summer .. then you never have to drive all the way back to the hotel, you can just hang with yer pals .. with the added bonus that you don't have to worry about drinking and driving, you just put the thing in park, and then drink. ..(And then LEAVE it in park..hello..)


But to look at the upcoming touring schedule for Fall 'o6, I think it'd be the end of the Winnebago before I even got a year out of it..... Check out these little sunday drives:..



Bethlehem PA (Ice House w/John Gorka) .. San Diego CA (Acoustic Music S.D.):..
Total Estimated Travel Time: .. 40 hours, 31 minutes
Total Estimated Distance:..2723.07 miles




Berkeley CA (Freight & Salvage) .. New York City (The Cutting Room):
Total Estimated Travel Time:.. 42 hours, 43 minutes
Total Estimated Distance:..2900.16 miles (including a mind-numbing 2600 miles on I-80 .. ugh)


Alexandria VA (Birchmere) .. Glen Ellyn, IL (College of Du Page):
Total Estimated Travel Time: 11 hours, 50 minutes..
Total Estimated Distance: 728.86 miles (What?? Just 700 miles?.. That's Nuthin!)


And in there somewhere are three more trips to the east coast and back to Chicago before Christmas;.. I'd be spinning that odometer faster than a South Philly used car dealer .. (and don't think I don't know what I'm talking about)... Plus, do they even MAKE snow tires for Winnebagos?..


So - - - until somebody wrangles me an RV endorsement and a free motor home lands on my condo roof, ..I'll just continue to fly, and rent at the airport. And nothing says folk music quite like a Lincoln Town Car -






Now, a word about a few upcoming events:..


Saturday, September 23rd:.. SW returns to Bloomington, Illlinois, a veritable Athens amidst the cornfields (oh cmon, just go with it)... The Blue Moon is among the very best audiences in the country, warm and welcoming, and oh yeah the pie's good too...


Sunday, September 24th,.. 3 p.m... Chicago area alert:.. SW teaches Singin' at the Old Town School..... More info: www.oldtownschool.org/workshops


Saturday, September 30th: Monmouth College, NJ, with, get this, Vance Gilbert, Lucy Kaplansky & Dar Williams! ......All that..AND if you order now, we'll throw in the Ginsu knives, free!.... Wow!


Thu-Sun, October 26th-29th: San Diego, Santa Monica, San Luis Obispo, Berkeley CA: West Coast fans, four fabulous nights!.. Five fabulous shows (meals not included)!.. Not to be missed!


Friday November 3rd, The Cutting Room, NYC..... SW brings her "godless gospel" tunes to New York, where they received an astoundingly enthusiastic reception this spring, in that so-called secular stronghold, Manhattan... ..Oh, there's nothing like preaching to the (un)converted ..


Sunday November 5th: The Birchmere, Alexandria VA, with Richard Shindell (a songsmith of the highest degree)..... DC peeps know, it's the joynt... See y'all there...


Saturday, November 11th: College of DuPage, Glen Ellyn IL, opening for, ahem, Richie Havens... You MUST SEE Richie... He is the realest, truest, most charismatic and phenomenal dude of all dudes..... You will be MOVED... This is GOOD for you..... You saw Woodstock, the movie (and some of you were AT Woodstock, the festival, but most of you are still lying to me about being there in person), come see Richie the legend...


Saturday, November 18th, Franklin MA, Circle of Friends Coffeehouse... One of the best gigs on the coffeehouse circuit, with a grand piano AND a duckpin bowling alley in the basement... No kidding.


December 31st, New Year's Eve, at Davenport's in Chicago .. two shows .. too much fun... We really do have too much fun... We should be arrested... One of these years, we will be.


So there you have it, friends, a crazy busy fall o6... Hope to see you at a show near you .. and we're near plenty of you, this time round -....and yes of course I'll be trying out all the "godless gospel" tunes at this fall's shows, test driving them, so to speak .. Like you might test drive, say, a Recreational Vehicle ..


-s-

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