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Friday, August 29, 2008
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another poem
Current mood: angsty
sunday afternoon in a sandusky ice cream shop
i stand outside of myself shaking in the summer sun there are things yet to do
moments left to pause and think about how if i was frank o'hara this would be the exact right moment in my life to write a list poem except i'm not and i can't ever seem to remember an exact right time for anything
so i think about the old man who was evicted from my apartment building on 12th & spruce after 38yrs to make way for college students like me
i remember how he liked to wear a polyester jacket every day no matter how hot it got to be outside and how the last time i saw him he seemed to be riding an elevator with no real destination
i wear jackets too made from leather made from cotton made from words & flesh hung together with boyhood dreams of suicide as if they were a second skin but i'm not the red baron these hands are not a sanctuary and i can't really say what direction our dreams might take so play it as it lays
i stand there thinking about how melted ice cream is a good representation of our potential and how that old man once called me a spider twice removed from miracles and how this is as good a time as any to tell you that it is august and that my hands shaking
i want to make a list of flesh & blood & poems
i want to throw scrapes of this moment to the wolves in heaven
hungry for words
whatever their final destination
John Dorsey
6:20 PM
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poem
Current mood: angsty
love in a language of howling dogs
i have learned to communicate with bombs a language of howling dogs
to bark at the dead that which is truly human
they say love can be as terminal as death if you do it right
do you sing in the meteor shower? i'd like to think that is a hypothetical question
i'd like to know that love has the hypothetical answers
instead i name hurricanes after ex-lovers but what am i going to do about you?
love like a paper heart painted on the side of a barn in rural ohio promises washed away by the sun there are stencils all around this city stars painted on the tongues of howling dogs i touch their secrets to my tongue put up wanted posters looking for love but i am here you are there and death is only a river away
our love doesn't understand that it is a howling animal
it only knows that here the dead speak in a language of meaningless constellations
John Dorsey
6:18 PM
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9 Comments - 22 Kudos
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Saturday, August 02, 2008
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poem
Current mood: awake
untitled poem in two parts
i.
it is 3:39am the time of night when you start to wonder if fire ants suffer from hot flashes
someone has left the faucet running again overflowing with words like ghosts or seashells with shotguns held up to your ear while listening to nirvana hum don't make waves
ii.
it is 4:08am the time of night when even drops of water sweat the courage of their convictions like ike turner out for a moonlit stroll before being seated in front of heaven's angry parole board
and i remember only this:
the first time i got hauled in for questioning your love
they pasted a poem inside my rib cage
and made me watch it fly away
soft like a love letter barely held together by the dust of angels bones
John Dorsey
8:57 AM
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Saturday, July 26, 2008
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another love poem
the dance hall romance of the apocalypse
one day they will examine our love as if it were a dance step that never really caught on
& sigh captains of our own particular disaster
our kiss will become as sacred as the sonnet a ballad hummed on the east river of hell where miracles are easily forgotten
pawned off on dreams that never really got out much
they'll say we were beautiful in moonlight
praying to godzilla on bended knee
John Dorsey
1:28 AM
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Thursday, July 17, 2008
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new poem
no help wanted for jessica
i want to write a confession along the coastlines of your lips tapping my fingers against the wind every morning jesse james becomes a dove inside my skin
no help wanted i hold in a tired breath you write a sonnet become a love poem every day you tell me just breathe signs are everywhere smiling wide war can turn grown men into beauty queens there are flowers only death can smell here we plant seeds of love in red earth the poet's blood painted on rocks printer's ink is a pleasant memory
i wear jack gilbert's tired gloves my heart covers the sun it is a puzzle i can feel you gently warming up to
John Dorsey
7:37 PM
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22 Comments - 42 Kudos
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Monday, July 14, 2008
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A Poem by my friend Yama Lake
Current mood: warm
Was touched to get this in my e-mail earlier tonight, thought i would share it.
for j.dorsey
sweet nectar of chaos bit into like a hungry snail crawling in the dirt around an infinity track eating the grass try not to get mugged, rolled over, or crushed/ spiral-shelled by larger feet there is a cosmic runner around our heads whose footprints leave poems in our hearts leaves of poems in our eyes that blind the snails who eat the grass around this track you run where you are in kansas eating poems for midnight break- fast? & by that i mean to say on the other side of the earth i saw you write a poem about midnight & it fell upon me like the sound of your voice were something real touching & teaching the other side of the world to be a poet by reading midnight poems sounded on light beams of infinite dude, until i cdn't help but listen silent & catchy jingles you midnighted my way you always so good at sharing
-Yama Lake
8:35 PM
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Friday, July 04, 2008
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REVIEW OF S.A. GRIFFIN’S NUMBSKULL SUTRA BY FRANK WALSH
Current mood: awake
FIRST PUBLISHED IN ZEN BABY-
S.A. Griffin. Numbskull Sutra, Rank Stranger Press; Mount Olive, North Carolina
300pp. Folio soft cover, perfect-bound. John Dorsey and David Smith, eds.
w/ intro. by Carter Monroe; preface by SA Griffin. 25.00 US
First things first, one was numbstruck by the chance to discover thumbing through the SUTRA the marvelous eye, nose, and throat candy-- and brain candy besides-- of the multifarious flier and poster art duplicated -- and broadsides too and pics-- throughout that advertised and promoted the readings/spoken word events that SA featured in or was associated nearly with and the places and span and scope these public notices embrace.
Public and invitational recitals mounted by SA Griffin over the years especially that still and will in the far flung future matter to fans and followers.
This book representing now twenty- five years of poetry lived and shared , a legacy and vasty missive not about just so much entertainment and expressive relief-- affects consigned by the surface dwelling middle management to the shallows -- but always and ever more a rough housing of truth and beauty and everyday relevance and redemption through Poetry, while the state of poetry in America may at the same time become clogged and choked with imitators mouthing and bad mouthing the very outwards and outlaw idols being imitated. Still here we have it the illumination of the progenitor going about his working and breaking off pieces to sustain us on our way no matter what in the fall and spring of American. If we are poets deep rooted and down and dirty scrappers with a dog patch shanty in our cosmic-politan harks. Is LA a shanty, for better or for not why not if the words turned such raise the image in the poets eyes all the better to see to the play and the measure of the great city's parlance. This exactly where SA Griffin stands in mastery of himself and his shadow as the super-beatified bearer of the true news.
Many in the compendium of the NUMBSKULL SUTRA is there an instant where the poems in themselves may not "cross the line" going gone beyond words to a definite savor or a hard stark ambience forebodes the readers and listeners own recollection but it is the line and his facility and welding and wielding the line where SA's genius resides, genuinely necessary where they go and into and score the page even when those lines are single words especial in compact concise likewise measured stanzaic thought/breath units as one who knows as one must also be reading as if carried along rapids and white water of a current with an unopposed heart. At the same instant in time "reading" and "listening" to the spaces and silences of the white page that caps these necessary lines and their attending measures.
That is to get Griffin's drift and experience the poetry as one's own life is experienced as he does equally but uniquely. To the extent not just as a remembrance you are left with but as a pleasure that leads you to another fully engaged in life experience. In the meantime there's another great poem to get with and plenty available in this husky big-hearted book. Valid even when you may imagine in that moment that you're on the verge of a west Hollywood intersection left holding the bag but when you open that bag there is THE present. SA Griffin's soul is bigger than life totally with it and with the reader besides. So then like Bukowski or Micheline on his best behavior so is it with Griffin immersed in soundly in the significant rush of American poetry/spoken word toward not so much simplicity for no proscribed purpose is hereabouts but mystical directness like with d. a. levy and the opening jaw and the unfolding hand. Like Bobby Kauffman too.
All is not lost on the pursuit of us, nor on the others', no matter what sorry ass state of affairs or crisis even poverty and metaphysical despair, SA Griffin provides for. His poems his raves operate as universal handles on reality. Political and beautiful, since beauty which is just integrity across the board no difference how ugly or "common", is the most political thing of all.
While politics is personal when looked at in a practical way, unobstructed from relationship makes the whole concept and utility of politics moot and ridiculous. "Weapons Of Mass Destruction" , p. 29; the short and sweet, "Legacy to the poor of LA", p. 47. ;"I Choose Not To Believe In War Holy Or Not", [ on a billboard at Hillhurst Ave., a photo of which is in the book] p.85; "American Poem", pp. 198-200, all bear this out. Humor and the pleasure of swinging surrealism are infinitely more where it's at for Griffin.
For example, "Kisses In The Wind", p.224 is endowed with the Taoist crazy wisdom regarding the common and the profane and therefore sacred in turn when read silently or out loud to ourselves that becomes clear and present and recollects love as the first cause a if we needed one.
But there is more here in NUMBSKULL SUTRA almost more than can be dreamed of, so at 25 bucks this book is worth more than a barrel of diesel.
10:34 AM
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7 Comments - 14 Kudos
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Wednesday, July 02, 2008
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poem for juice
Current mood: amused
reborn on the 4th of july for jason "juice" hardung
i think people tend to forget that poets can be assholes i look at myself in the mirror more often than i probably should it isn't for the reasons you'd think
i'm over 30 underemployed over educated and over weight with a face only a mother could love as long as we're only talking theoretically
but hey it's ok because i write poems every once in a while because my eyes sometimes sparkle brighter than costume jewelery in an off-broadway production of joe orton's "loot" because i look up and know how the stars feel
i think people tend to look at me in black and white because i was born with high hopes and dashiell hammett's wandering cheekbones i think people tend to think that if it rained pennies from heaven that i wouldn't steal them from jerry's kids and go strait to a coinstar machine in the middle of the night and trade them for more angry passionate words but i would
because when i was a kid i collected memories like most people collect buffalo nickels because i've never been able to take the suffering of others at face value
i think most people forget that i was raised on the hopes and dreams and words of underground literary lions that "bookwhore" doesn't have to be a dirty word that sometimes i like to pass the time watching heroes i once called brother plant sunflowers shaped like ghosts in front of my grandmother's house and that i don't have to celebrate my independence to know what it means to be free
John Dorsey
7:16 PM
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Sunday, June 29, 2008
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Learning To Swim Through A River of Shit Released
Current mood: amused
The fine folks at Zygote in My Coffee have just released 2 in their 69 Flipbook Series, which pairs my chapbook LEARNING TO SWIM THROUGH A RIVER OF SHIT with Lisa LaTourette's THE ART OF BEING A QUITTER, the book is 62pgs. perfect bound trade paperback and is available at the www.zygoteinmycoffee.com bookstore for only $6.
A number of copies have already sold at both the CT Beat Poetry Festival and The Kansas City Feedbag sponsored by Offbeat Pulp and Killpoet Press. Pick yours up today.
8:07 AM
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Thursday, June 26, 2008
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Another Poem
Current mood: amused
ct pool hall sidewalk poem
it is raining i think to myself we are all beautiful skeletons
i listen from far away as shadows bottle redemption along the mississippi river
where we are has very little to do with geography
there is a thin line between an erection and death or true love, in any case i grab hold of your hand
the thin man waits outside slurping the ancient remains of a milkshake he examines a toothbrush in the sunlight but it is still raining there is a stencil of a decoder ring positioned near the bus stop signed property of captain courage i wash away your lips
John Dorsey
5:03 AM
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19 Comments - 36 Kudos
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